Leap of Faith (released in 1992) - A movie about a faith healer, starring Steve Martin and Debra Winger

This American comedy Drama is directed by Richard Pearce and stars Steve Martin, Debra Winger, Liam Neeson and Lolita Davidovich in the lead roles. This hard hitting drama focuses on the faith healer who cons innocents in the name of god and takes from where earlier docu-drama like Elmer Gantry and Jarjoe left off.
Steve Martin stars as Jonas Nightengale who is a con-man faith healer. He holds revival meetings and defrauds the congregation with the promise of miracles. Helping him is his back stage manager, Jane who studies the floor plan convincingly and transmits the information via a small ear-piece. So all the technological marvels are used to convey where the healer could find a crippled man, or a pregnant teenager. Jonas pounces on them with his hallelujahs and with his intuition forces them to blab more about their condition. The effect is so smooth a transition from a believer to a miracle seeker.
As this faith healer show rumbles around the American small town with its special effects, technological jamboree and a gospel choir, the bus breaks down in a small town of Kansas. This impoverished town has nothing going for it as no rains have blessed the parched landscape. As the bus waits for the spare parts Jonas and Jane plan to hold a revival meeting to kill time. So the show is all set to begin if only for the small hitch in the form the local sheriff, Will Braverman. Will does not believe in all the this bunkum of miracles and sees Jonas and his troops for what they are, crooks. He wants to protect the town money from flowing in to their hands and tries his best to stop their show.



Jonas deputes Jane to seduce Braverman and Jane ends up falling for him. Jonas also falls for a pretty local waitress, Marva, who has a crippled brother, Boyd. Marva does not have faith in all the hocus pocus and Jonas takes her up as a conquest. Boyd believes in miracles and feels that Jonas can help him walk. Initially taking a caustic view, Jonas calls Boyd “Tiny Tim” and tries to palm him off. But as the movie progresses he tries to warn off Boyd as Jonas can see himself only as a crook. But a crook can also deliver hope and faith promises to be a powerful instrument for healing. In the end the crooks and the believers are forced to examine themselves.
This is one of the powerful movies of the 80's which examines faith as an instrument of influence. The first half of the movie has Steve Martin prancing about in his silver suits among dazzling lights mouthing biblical quotations and hallelujahs all the time listening to the back stage instructions. The toppling wheelchairs, the back stage plans, the market research, the listened in conversations and all the tricks of the trade of faith healing is laid bare. Steve Martin does a fantastic job of the conman with his inimical wit and cynicism. Anther notable performance is of Debra Winger as Jane who does all the back stage operations. Although her romance with the local sheriff is a bit contrived, it gives a little deviation for the story. The movie forces one to examine the process of belief and the show of believing. As Steve quotes in the movie “if I get the job done What difference does it make?” and he himself receives the answer as “It makes all the difference in the world”.
This movie received decent box office returns and also critical acclaim. It was also adapted a Broadway musical and opened successfully. Last but not the least the musical score is wonderful with the real-life singers like La Chanze, Delores Hall and Albertina Walker who do a beautiful job of playing Jonas's gospel choir. A good movie which entertains and informs.

The Gaucho (released in 1927) - Starring Douglas Fairbanks and Lupe Velez

The Gaucho is a Argentine anti-hero who is the ultimate savior; inspite of his initial wild behavior. This movie is a Douglas Fairbanks vehicle which is in-fact written and produced by him. It is said that Fairbanks was influenced by the miracles at the St. Lourdes Shrine and the religious overtones in the movie is ultimately derived from this. The Gaucho showcases the amazing good looks and athleticism of Fairbanks who swings from trees, rides bare back and dance with heavenly abandon.
El Gaucho is the ultimate bandit who can single handedly control a town with his small company of bandits coming in later to complete the task. He is willful, playful and a perfect Casanova. Gaucho sets his sights on a small town with a healing shrine. The flashback tells us that a girl who fell from a cliff was miraculously saved by the Virgin Mary who in-turn gives her the healing powers. So the shrine of Our Lady flourishes and the coffers are overflowing with gold.
The usurper, Ruiz is the villain who wants to loot the town and the shrine for the gold. But Gaucho and his banditos put a perfect spanner to his works and ends up saving the shrine. Gaucho is hailed as a hero and his roving eye makes him more appealing. His eye rests on the Mountain Girl, Maria, who is fiery and hotter than the hottest of jalapeños. She matches Gaucho's temper and his dancing steps. A heavenly scene is the two of them doing the tango and nothing can yet has been devised to beat the chemistry these two share. Soon Maria and Gaucho are sharing an apple and the romance flourishes.



But the mountain girl has a fiery temper and a jealous mind. She cannot stand her man showing attention to others. Gaucho is attentive and responsive, playful and watchful with the young girl. But his livery is short-lived as he is afflicted with the black doom. The movie does not present the medical condition and many critics dub it as leprosy. But the black doom slowly sucks out the life off his body and his arm turn black.
Gaucho meets the saintly lady in the Shrine whose prayers heal him. He is attracted by her serenity and holiness and falls in love with her. But this earns him the wrath of Maria. Soon all hell breaks loose with Ruiz and gang capturing him. He is tortured along with the others and this scenes can be labeled a little sadistic. But it is a Fairbanks movie who can be compared to the ultimate superhero. He prevails all the tempests with the able assistance and blessing of the Virgin Mary. Then Maria also is tamed and turned in to a perfect catholic and wedded.
This movie belongs to the silent era and this does not diminish the entertainment value. In fact the touchy feely feeling in the movie is more due the absence of sound. Douglas Fairbanks is the most apt choice as the swashbuckling, smoking Casanova bandit with a devil may care attitude. But the revelation is the mountain girl Maria, a girl who is ahead of time and no real man can match or resist this red hot pepper girl.
Just watch it for pure entertainment.

The Frisco Kid (released in 1979) - a Western comedy starring Harrison Ford and Gene Wilder

The Frisco Kid is a 1979 movie directed by Robert Aldrich. The movie is a Western comedy featuring Gene Wilder and Harrison Ford in pivotal roles. Gene Wilder is Avram Belinski, a polish Rabbi who is traveling to San Fransisco to head a congregation there. He has graduated last in his synagogue and is sent to San Fransisco with the promise of a bride. He has a Torah scroll as a part of his meager possessions and is a trusting man of faith. A simpleton and an innocent traveler, Avram is duped by three con men who induce him to pay for the wagon and supplies and leave him behind.
Soon the adventures follow Avram as he determinedly follows the path to San Fransisco. There follows hilarious moments when he mistakenly resides with the Amish believing them to be Jews and fainting later as he discovers a Bible in their pockets. So one fine day while trying to catch fish for dinner he meets Tommy Lillard a kind hearted person on a horse back who in good humor takes him on. They journey through the American rough lands.



They are captured by the Indians and are almost burnt at stake and also meet the villains again who had robbed the Rabbi. The series of misadventures continue as Lillard is proved to be robber who robs banks. So Avram inadvertently plays a part in robing a bank with Lillard. But to Lillard's dismay the rabbi refuses to ride away the horse laden with goodies as its a sabbath day even with the sheriff's men hot on his tails. Their journey ends with lot of comical situations working to change their mindset. Both Lillard and Avram walk away enriched by their experiences and looking at life in a different sense.
I would not say that this is a typical slap stick comedy, but a comedy which makes you think. Many a time Avram has to propound his beliefs and faith in god and to explain to the agnostic the power and presence of God. He explains the Talmud and the point of view of his religion and still there is no preaching in it. It just says the love of God, so profound, humanistic and encompassing.
All the Actors have managed to capture our hearts with their endearing performances, but the cream of the acting is by Gene Wilder as the simpleton rabbi. The gems of a dialogue so rib-tickling and soul searching makes this film a classic. Harrison ford also in the role of the outlaw with a good heart is in great form. It is rumored that John Wayne was to play this role but had turned it down due to price constraints. But Johns loss is Harrison gains as he brings alive a outlaw turning over a new life on a journey with Avram.
This is may not be the top film of the decade or an academy award winner, but it has all ingredients to be your favorite film. So watch it to see God come alive through laughter.