The Big Sleep (released in 1978) - Starring Robert Mitchum, Sarah Miles, Candy Clark and Joan Collins

Based on the vintage noir 1946 film (having the same name), which was released in 1978, this version is directed by Michael Winner, sourced from the 1939 novel by Raymond Chandler. Unlike the previous version (which was set in LA), the 1978 film takes us to London. Many critics and viewers consider the latter film to be truer to the portrayal of Chandler’s novel, since taboo themes such as homosexuality and  pornography wouldn’t have been well received in the conservative and staid 1940's.
The character of Phillip Marlowe is assayed for the second time by Robert Mitchum, who first played Marlowe in Farewell, My Lovely. In a digression from the traditional portrayal of celluloid detectives, Marlowe does not function from a shabby office or live hand-to-mouth. He owns an expensive set of wheels and a Rolex, with snazzy suits thrown in for good measure.
The PI has a new client - a wheelchair bound millionaire General Sternwood (played by James Stewart). The General tells Marlowe that the homosexual proprietor of a local book store – Arthur Geiger (played by John Justin) - is blackmailing him. Geiger has some nude photographs of the General’s younger daughter Camilla (played by Candy Clark), intimidates Sternwood with blackmail, warning him that unless he pays Geiger a handsome sum of money, the slime all will make the pictures public. The actual reason why Sternwood isn’t just telling all this to the police instead of hiring a PI is revealed when he gives away the fact that he’s interested in the whereabouts of his son-in-law, his older daughter, Charlotte’s (played by Sarah Miles) husband - Rusty Reagan (played by David Seville). However, Mrs. Reagan also seems to have her eyes set on the elusive and brooding Phillip Marlowe!




The PI hunts Geiger down to his house - but on arrival is confronted with his corpse, shot between the eyes, an unclothed Camilla by its side. On further investigation it is revealed that the families chauffeur Owen Taylor (played by Martin Potter) had committed this crime of passion, as Camilla was his lover. Taylor, is himself later murdered by an associate of Arthur Geiger – Joe Brody (played by Edward Fox) who dumps the man’s corpse into a nearby river. It seems like Arthur has few friends as Brody had intended to steal the film all along, not unaware that his partner was already dead.
Not only does the General’s younger daughter have to hauled out of a mess, even Charlotte has a whole lot of troubles, especially with gambling debts she has piled up - earning the ire of the unsavory mobster Eddie Mars (played by Oliver Reed), also the house where Geiger lived was owned by the goon. Following close at Eddie’s heels is his sadistic, club footed sidekick ‘Brown Man’ Lash Canino (played by Richard Boone) and others from the red light district which include a lover of Arthur’s. But ultimately, it’s all about the elusive Rusty Reagan.
Marlowe sets up Charlotte, to learn if whether she’s actually grieving for her husband and is disturbed about his disappearance, or whether she was in some way responsible for his fate, his suspicions are proven right. It is she who is responsible for Rusty’s disappearance. Phillip is saddened and now he faces the task of breaking the news to the General. The audacious Camilla points a gun in his face, and Marlowe is appalled by the wickedness of both women.
It has long since been the case for debate whether it was at all necessary for doing a remake of The Big Sleep; critics and viewers look askance, torn between loyalty for greats like Bogart and Bacall and fondness for king of drawl - Mitchum. However, since the second version is more free in its treatment  of taboo issues like promiscuity and drug abuse, Winner’s version is worth a watch.

Ryan's Daughter (released in 1970) - Starring Robert Mitchum, Sarah Miles, John Mills, Christopher Jones, and Leo McKern

The screenplays of this movie - Ryan’s Daughter is by legendary author and screenwriter Robert Bolt, he collaborates once more with director David Lean - the duo who gave cinema classics like Lawrence of Arabia, Dr. Zhivago. Bolt pens a captivating war romance, which was the highest earning movie at the box office in 1970 despite having almost no critical acclaim; it also won two Academy Awards: Best Supporting Actor (John Mills) and Best Cinematography (Freddie Young), winning nominations for Best Actress in a Leading Role (Sarah Miles, who was married to Bolt at the time) and Best Sound. The year is 1916, in Ireland. The Irish Republicans want to end British rule and launch an offensive that history would refer to as the Easter Rising, for the festive week in which it took place.
Elsewhere in an imaginary village called Kirrary (on the Dinge Peninsula, in a real part of Ireland) during WWI. Rosy Ryan is the youthful, pretty and somewhat rose-tinted daughter of the local pub owner Tom Ryan (Leo McKern); she reads Byron, is in love with the chivalrous Peter Blood and believes in happily ever after; shielded and kept eons away from the reality of the War, secluded in her part of the picturesque village, where a modest British garrison is about the only reminder of the troubled history of the times. Her father, however is an informer of the British, although he puts up an act of  regret that ‘our boys’ couldn’t hold the uprising against the suppressors.
The charming yet somewhat petulant Rosy is above the attentions of the local lads and would much rather set her eyes on someone with a ‘standing’ in society, a fact that Father Hugh Collins (Trevor Howard) is well aware of when she marries the staid, calm and much older than her school master - Charles Shaughnessy (Robert Mitchum). The elders of the village including the priest are disapproving of Rosy, yet can do precious little to change her from being a spit fire to a docile housewife!




Soon enough, Rosy is disillusioned and loses sight of the charm she associated married life with; Major Randolph Doryan, a British army officer, arrives to take charge of the garrison and as a result - with Rosy. Randolph was awarded the Victoria Cross for his contribution to the WWI, which left him crippled, and reeling from what we know today as post traumatic stress, then called ‘shell shock’ - for the helplessness soldiers felt when unprotected in the wake of shelling. His physical shortcomings seem lost to Rosy, who finds herself falling in love with the Major. What ensues is a riotous, torrid love affair, rendezvouses in the nights and hush toned sweet nothings. Although he suspects it, yet Charles decides against confrontation, even if the evidence of the affair is glaring and enormous.
All seems well, until the ubiquitous village buffoon Michael (John Mills) unintentionally discloses the secret affair to the villagers - who at once label her indiscretions with choicest epithets. Things take a turn for the worse when Rosy’s father Tom – rats on the plans of the Irish Republican Brotherhood, represented by Tim O’Leary (Barry Foster) to bully the pub owner into helping them recover a cache of  arms that belongs to the Germans. Loyalty gets the better of him as Tom immediately alerts the British. Maj. Doryan confronts the IRB comrades, a gun fight ensues leaving in its wake a wounded O’Leary.
On the family front, Charles decides to let Rosy know that he is aware of her affair, and hopes that she would ‘come to’ - that night Rosy returns to her lover the Major, only to be seen by Charles, who wanders away, hurt and dismayed. He is discovered on the beach by Father Collins. The villagers, meanwhile get a whiff of the fact that their cause has been betrayed by one of their town - and the obvious choice is Rosy, given the palpable evidence there is of her affair with the British Major. In vigilante-style justice, the mob bears down on the couple, almost killing them, whist lynching and shearing Rosy’s hair - she however realizes it’s her father who is responsible for the deception all along, but does not give his secret up - bearing all the humiliation.
Doryan is dejected and feels responsible for her misery, he is led to the cache of yet undiscovered arms on the beach, and in a fit of guilt charged hopelessness, detonates the dynamite - committing suicide. Rosy leaves the village for Dublin, with her husband, Charles, who has decided he’d leave her, although the priest asks him to reconsider. Not a very well acclaimed film by critics, yet it grossed almost $31 million - a number to reckon with in the ’70s. Audiences liked the star crossed lover - meets - patriot ism-meets a whole jumble of human emotions - perhaps more the kind that suit normal movie buffs, as opposed to intellect seeking critics!