Victory - Movie about soccer match and escape during Nazi rule - released in 1981 - Starring Sylvester Stallone, Michael Cane and Pele

Based on the Hungarian drama Two Half Times in Hell by Zoltan Fabri, Escape to Victory (or simply 'Victory' in North America), was released in 1981, starring Sylvester Stallone, Michael Cane, Max Von Sydow and Daniel Massey and was directed by John Huston. However, the USP of the film were the football players who starred in it, including the legend Pele. A rare film with an international ensemble cast.

The story is about the Allied POWs in a German war camp. Major Karl von Steiner (Max Von Sydow) is the camp commander, a former member of the German National Football team. Nazi big wigs order the Major to set up an exhibition match between the prisoners and cream of the German team, in Paris. Captain John Colby (Michael Caine) is the man coaching the POWs; he was part of the West Ham United, before the war broke out. The team is unaware that they being used as pawns in a Nazi Propaganda bid.

Captain Robert Hatch (Sylvester Stallone) insists that the opportunity should be utilized to plan an escape, though Colby insists that the plan would be doomed from the start, taking precious lives. Initially Colby had not included Hatch in the team, and after much pleading, he gets to be a part of it - as a trainer. In on the plan are a bunch of Brit officers who encourage the whole deal, even the French Resistance is out to help them. Colby’s superiors weigh in on his decision, using their influence to change his mind - succeeding in the end.

Hatch makes a risky attempt to escape first, he contacts the Resistance, knowing full well that they will not refuse; the French chalk out an escape route, through tunnels below the Colombes Stadium in Paris, which will lead to the showers in the locker rooms.

Robert Hatch will have to allow himself to be recaptured, so that once he’s back in the war camp, he can share the details with the others. As luck would have it, Robert is put into solitary confinement, this ruins his chances of sharing the details with his fellow prisoners; Colby rises to the occasion and tells Steiner that they need Hatch back (he is also the stand-in goalkeeper) in the team, since the first goalkeeper in the lineup has fractured his arm - the poor man has to undergo a forced fracture to prove the story right.

When the day of the match arrives, a group led by Robert is ready to escape during half time, but the others are taken up by the spirit of the moment, and insist that they finish the match and then leave, even though they are trailing by three goals. Although the bias towards the Germans and prejudice towards the Allies is evident, for all to see, yet the Allied players persevere, and the match ends in a draw. The penalty kick goal by the POWs is disqualified, and yet they manage to win the game. In the confusion following the game -  all the men escape.

However in reality, the 11 Ukrainian members who played the game during the Second World War had multiple games and defeated the Germans in all of them, and were recaptured, sent to camps where 4 of them died. These are the words inscribed on the memorial for the eleven footballers on whose lives the story of the film Escape to Victory is based:

“For our beautiful presence

They fell in a fight…

For ages your glory won’t fade,

The fearless hero-athletes.”

Remarkable movie highlighting the spirit of mankind to achieve the seemingly impossible. Must watch, classic!

Adaptation - Released in 2002 - Starring Nicholas Cage, Meryl Streep and Chris Cooper

In 1998, Susan Orlean, an American journalist investigated a case of orchid poaching in a south Florida state preserve. Her book is a glimpse into the peculiarities of the lives of the people in the plant business and the struggles they face on a day-to-day basis. The result was the book “The Orchid Thief”.
In 2002, the book was the inspiration for the movie ‘Adaptation’, in which Meryl Streep plays Susan Orlean, Chris Cooper plays John Laroche , the poacher, and Nicholas Cage brings to life the twin characters of Charlie and Donald Kaufman; in real life, Charlie Kaufman has written the screenplay. The meta character of the film talks about Charlie’s challenges whilst trying to adapt the book for the silver screen, in that it is almost a semi autobiographical memoir of sorts.
The character of Laroche has many interesting shades; here is a man obsessive about creating a clone of the extraordinary Ghost Orchid, to reap rich benefits; the catch is that they grow in an elusive swampland which is Seminole (a Native American Tribe) Territory, the Natives use an extract from the flower for illegal drug use. John takes advantage of the Seminoles’ legal right to use their own ancestral property as they will - and ropes in members of the community to help him out.
His passion is evident when he asks Susan whether she knows why he likes plants:
“You know why I like plants?  Because they're so mutable. Adaptation is a profound process. Means you figure out how to thrive in the world.”
Perhaps that sets the cadence for the film - the means of finding out how to succeed in the world. ‘Adaptation’ quibbles over the Darwinian principle of how to adapt, as opposed to how to evolve; it is extrapolated to the excruciating course taken to adapting The Orchid Thief into screenplay.




In the movie, Charlie assays the character of Laroche at great length, but is unable to find more ‘meat’ to adapt this character for the screen; he is also unable to represent the breathtaking beauty of the orchid visually. Since the book is more of reportage, it lacks the inherent drama required for a movie, and therein lies the challenge for Charlie, who suffers from a case of prolonged writer’s block.
Dealing with his own personal demons - depression, social phobia, self loathing - Charlie struggles to create an impact on Amelia Kavan (played by Cara Seymour; Hotel Rwanda, Gangs of New York), his own diffidence and insecurities act as a barrier, keeping him from her, although she is undoubtedly interested in him.
The opening voice over waxes eloquent about Charlie’s copious foibles - bald pate, lack of talent, least enviable body etc. His monozygotic twin Donald, also an aspiring writer, with far less talent yet tons more confidence, chooses to make Charlie the subject of his writing, fascinated with the sibling’s  ‘chalk’ to his ‘cheese’ existence. The bi polar character he writes about has shades of the twins, except that it is a madman and woman, wrapped in one - to Charlie’s utter bewilderment, he wonders how Donald would get them together in the same scene - ‘when one has the other locked in the basement’. However, Donald’s “clichéd psycho-thriller” sells for a million bucks, as the ink starts to flow from Charlie’s end – unconsciously referring to his own life and times  throughout the screenplay.
Charlie’s much thumbed copy of The Orchid Thief, resplendent with yellow post-its and neon highlights, gives him sleepless nights, not only because the gauntlet jeers at him, but also because he fancies himself besotted with Susan, whom he calls to mind in a state of euphoric self gratification.
These three characters are primary to the story line, the shades to their person, their anxieties, their joys and trials are what pepper the script-not the usual sex, action and car chases. However one may try and avoid the pitfall of ‘formula’- it is almost impossible. And when Donald, posing as Charlie meets Susan (the latter gets cold feet, and returns), he feels something is amiss. The two follow Susan to Florida, only to discover Laroche and her in the throes of Ghost Orchid-drug-induced passion.
A violent car chase ensues, with Donald getting killed and Susan being arrested, in case you’re wondering about Laroche - an alligator got to him before the police did. With Donald gone, Charlie picks up the pieces of his life, and writes the screenplay, with Gérard Depardieu in mind.
The film won nominations for Streep, Cage and Cooper at the 56th British Academy Film Awards; while at the 75th Academy Awards, Cooper was awarded in the Best Supporting Actor category. Interestingly, Donald Kaufman is the only fictitious character to have been nominated for an Oscar!

Film - Farewell, My Lovely (starring Robert Mitchum as the detective Philip Malowe) - Released in 1975

Raymond Chandler is a very famous writer, many of whose books were taken for theatre or made into movies. Out of his novels, an early one is the novel called by the same name, "Farewell, My Lovely" (this was actually his second novel, published in 1940), and starred the famous detective that he created, Philip Marlowe. This novel was made as a movie in 1944 earlier, and was again made into a movie released in 1975. The movie has gathered acclaim over the years, being well liked for the film noir atmosphere that it brings into the movie, with the brilliant performance by the lead actor, Robert Mitchum, playing the role of a grizzled old detective, Philip Marlowe (at this time Mitchum was in the latter part of his career, having been in the industry for decades now and being 58 years old).
The film also stars the following: Charlotte Rampling, John Ireland, Jack O'Halloran, Sylvia Miles and Harry Dean Stanton. Incidentally, this was an early movie in the career of a super-star, Sylvester Stallone, who shot into the heights of super-stardom with the release of Rocky the following year. However, Stallone had only a small role in the movie, with the meaty role being portrayed by Robert Mitchum. He plays the role of a detective, well past his prime age, getting more melancholy and at the same time, being mature.



So what's the story about ? Well, the movie is set in Los Angeles of 1941, a time when there was a lot of corruption and when you start to investigate, you can find the whole plot full of betrayal, and more corruption (in the police), along with the usual environment of seedy hotel rooms, gambling nets, and so on. The detective Marlowe has been hired by an ex-convict, called Moose Malloy, who wants Marlowe to find Velma, an old girlfriend, whom he has not met for many years. He is also investigating a different case, the murder of one of his clients named Marriott (coincidentally, Marriott was killed and an unconscious Marlowe woke up next to the body).
And what do these crimes have in common with each other ? There is the puzzling figure of a lady called Mrs. Helen Grayle, and soon Marlowe also finds himself in more trouble, getting beaten up, drugged and held captive in a private hospital; does he manage to get himself out of trouble and find Velma ? This is a wonderful movie, catch it if you have a chance. The movie got one nomination to the Oscars, but no recognition through an actual award.