Reunion At Fairborough (released in 1985) - Starring Robert Mitchum, Deborah Kerr and Judi Trott

The  bitter sweet emotions of star crossed lovers, the sentimentality lent to celluloid by the script, backdrops and background score - makes you want to grab a handkerchief and a bowl of popcorn. Many movies of the war-romance genre have been made through the ages, the return of the war veteran, a recurrent and beloved theme in Hollywood is extended to the much latter part of the veterans lives as well - they seem to be in a constant search for fellow comrades-in-arms, and seeking lost loves of their lives on distant shores.
WWII saw some of the worst atrocities that mankind would ever witness, and the Allies suffered many setbacks before the White Cliffs of Dover and the sandy beaches along the seas were truly free. And whilst they were at the bidding of their respective motherlands, officers and men alike would remember lovers and wives, carry faded pictures of their sweethearts, drown their sorrows in wine and rekindle romance in the arms of exotic foreign beauties.
Casablanca was undoubtedly the most memorable movie in this genre, A Farewell to Arms, sourced from Hemingway’s book of the same name starring Rock Hudson was also a real tear jerker. And then there is Reunion at Fairborough (1985), directed by Herbert Wise and written by Albert Ruben, this is the story of Carl Hostrup (played by Robert Mitchum). Carl is a WWII veteran, who flew with an Air Force Squadron as Captain of a fleet. He is currently leading an apparently cushy life as a high level executive, however, beneath the surface of success are the remnants of a bitter divorce and unrequited love.




Misery and loneliness drive him almost to the point of suicide, when fortunately, his macabre decision is stalled by a phone call from his old crew mate from the War Nathan Barsky (Barry Morse), who is now a professor and has organized a reunion for the 8th Air Force, 323rd Bombardment Squadron, in Fairborough, England where the old base was.
Carl is hesitant to go, but eventually agrees, and when they reach Fairborough, memories of an old love, from forty years ago. Sally Wells Grant (Deborah Kerr) is a shopkeeper is not pleasantly surprised to find Carl at her doorstep, memories of yesteryear flood her mind, and she is vocally bitter about how she was left by him, and how it has taken her years to become emotionally stronger, despite the heartbreak.
Sally also confronts Carl with two shockers - one, he is the father of a daughter, and two - he is grandfather to a granddaughter. Stunned by the revelations, and hurt by her caginess, Carl decides to make headway with the youngest woman in his life: Sheila, his grandchild. The film follows the relationships of the three, Sally and Carl light up the moments with their easy charm and panache, so readily on hand for older stars. Sheila is the young rebel with a cause, whom Carl has to tame.
Mitchum and Kerr deliver one of the most touching performances, her quiet dismissal in the face of reality - at conflict with the love she has secretly harbored for Carl - are easily portrayed by Kerr, whereas the American businessman with nothing–to-look-forward-to-in-life war veteran Carl is convincingly real.
A poignant, emotive and sweet movie – about how love can change lives, and remains alive no matter what the distances in space or time.

Promises to keep (released in 1985) - Starring 3 generations of Mitchums - Robert, Christopher and Bentley

Directed by Noel Black, the film stars three generations of Mitchums - Robert, Christopher and Bentley. Jack Palmer (Robert Mitchum) is the patriarch who abandoned his family three decades ago, a true blue roustabout, who ends up being a foreman at a Wyoming ranch. His son Tom Palmer (played by Christopher Mitchum) resents his father for having walked out on them. Going through a difficult time, Tom is the captain of a boat called the Genoa. A fisherman by trade, he is having an engine problem, which threatens to shut down the Genoa. To make matters worse, the catch that season has been dismally low - top it with having wages to pay, its no surprise that Tom is having a harrowing time. Staying abreast of the other competition in Santa Barbara is now an impossible feat he somehow must accomplish. Meanwhile, the father Jack Palmer discovers he is terminally and like most people who discover the end is near - he is inevitably drawn to his roots, back home in Santa Barbara, delaying his treatment by a week or so in Wyoming.
“There he was, the mystery man, he’d come back.”
As he would already have anticipated, Jack’s homecoming is met with cool indifference and extreme scorn by Tom; his wife Sally (Claire Bloom) retains her dignified composure, though she still gets misty eyed thinking of him. Tom has many other demons to battle, the worst being the fact that Gwen (Tess Harper), his wife, is forced to put their home up for sale. Johnny is in rebel mode, a typical teenager who wants to have to do nothing with an old grandparent; he doesn’t realize how he has in common with Jack. He has undoubtedly inherited his streak for adventure and wanderlust -Tom has a difficult time reining in his son’s wild dreams.




Their adversities seem to get the better of them, as their relationships are compromised at the altar of the past. Jack’s decisions of yesteryear haunt the present, and he sees his family’s fabric disintegrate before him - united only in their resentment and scorn. Tom refuses to reconcile with the father he hardly knows, and would rather hold his son close to him - trying hard to keep him from following his dream. Johnny is at loggerheads with his father and girlfriend for wanting to harness him with the cares of the world.
All in all it is the usual family pot boiler, with the mundane frustrations of three generations of Palmers reflecting what most people in life have to face. The ‘blood is thicker than water’ message of the film is obvious, a tear jerker through and through, it is a true blue HBO TV movie, melodramatic and sentimental.
Robert Mitchum is known for his cameo characters, although ‘The Ambassador’ and ‘Promises to Keep’ are two films in which we see him assay the lead roles. Although Mitchum is believed to have commented on the actual purpose of making the film because he ‘…thought it would be good for the family bank account.’ Caring not for the business of the film, but the moolah it rakes in for him and his - Mitchum, in known for his characteristic forthrightness – just believed in the fun he had with the film, that and the er.., bank account bit, of course!

Maria's Lovers (released in 1984) - Starring Robert Mitchum, Natassja Kinski, and John Savage

Directed by a Russian, scripted by a Franco-Russian team, brilliantly photographed by a Spaniard, brought alive on celluloid by a breathtaking German beauty - they all come together in  the critically acclaimed 1984 period romance ‘Maria’s Lovers’. Starring Robert Mitchum, the beautiful Natassja Kinski, John Savage and Keith Carradine in major roles, the film is set in a small town in Pittsburgh, Pennsylvania, in 1946, portraying ethnic Yugoslavian life during WWII.
Ivan Bibic (played by John Savage), a soldier, returns home from the War, where he was a imprisoned in a Japanese POW camp; it has left him physically and mentally blemished for life. The veteran had always hoped for a calm and loving life with his childhood sweetheart and fiancée Maria Bosic (Natassja Kinski), instead, his war experiences, coupled with post-traumatic stress – area dark clouds that hover above his horizon. “You dreamed about her too long. She lives in your dreams, not your body.”
His father (Robert Mitchum) wants him to labor on, regardless, believing that his peasant lifestyle and hard work will one day help him forget his travails in War. One day, when Ivan goes to meet Maria, who is living with her deaf grandmother, he is pained to see her in the arms of Al Griselli (Vincent Spano), a captain in the army. Mitchum advises Ian to forget about Maria, she’s ‘out of his league’, and tries to set him up with the eager Mrs.Wynic. Although rendered ‘psychologically impotent’ by the War, he is able to consummate his relationship with Mrs. Wynic, an act that remains unaccomplished with his lady love-Maria.
Al is fond of Maria, but has a roving eye, which Ian chooses to make use of to his advantage. Whilst the Captain is romancing a friend of Maria’s, Ian takes the opportunity to woo Maria - this angers Al, who shuns her. At long last, Ian marries the woman of his dreams.




Maria, her head full of a young bride’s dreams, seeks love and children - but Ian, overwhelmed with having met his dream, now tarnishes reality with the fear that he isn’t good enough for her - thus unable to consummate his marriage. This leaves Maria frustrated, and she is soon embroiled in an extra marital affair with the charming and slick Clarence Butts (Keith Carradine); though despite his love for her, Ian is on the lookout for another relationship as well.
And just like that, Ian leaves for another city, leaving Maria to fend for herself. She has a rendezvous with Clarence, who leaves her pregnant, and she rejects her lover. When Maria tells Ian of her state, he is cold and unresponsive. She is all alone now, even her grandmother is dead. On one of his drunken sprees, Clarence boasts of his prowess and tells of how he seduced Maria, who later left him. Unbeknownst to him, Ian is privy to this information, and at once lashes out at Clarence, who hasn’t recognized him.
Ian’s father is dying and persuades him to come back to Maria - realizing he can’t stop loving her no matter what- the two reunite. Once the two see each other’s foibles, they accept the human side of each other as well - and finally, in a beautiful scene, they consummate their emotional and physical love.
Maria’s Lovers is Andrei Konchalovsky’s maiden foray into Hollywood; he plays it safe by further exploring the clichéd sub genre of the return of the war veteran. However, what is new about the perspective Andrei offers is that there is a separation of the sexual aspect of love, from the emotion-love. Perhaps, its Maria’s quiet plea which highlights the mainstay of the film – ‘You should love me less.’

The Cobweb (movies released in 1955) - the scene at a posh psychiatric clinic

The Cobweb is a movie which takes place in a mental asylum and the surprising million dollar question plaguing the doctors and the inmates is around the selection of the curtains / drapes. So the entire movie revolves around the drapes and affairs of heart of people concerned with the drapes. The movie is directed by Vincente Minnelli and is based on a novel by William Gibson, and stars Richard Widmark, Gloria Grahame, Lillian Gish and Lauren Bacall.
At the opening of the movie “the trouble begins” with Steve McIver taking charge of a mental rehabilitation hospital from Dr. Douglas Deneval. Steve, young and dynamic, in his youthful exhuberance brings about new ideas to improve the lot of the patients and other inmates. His sympathies are concentrated on Steven Holt, a suicidal artist and one pathological Mr. Cabb. As Steve becomes busier in the hospital, he begins to neglect his wife Karen, cosying up to Meg Rinehart.



Now that’s what you call adjusting to local. As the movie proceeds, Steve hits upon the idea of using Steven's artistic abilities to drape the windows. But Karen already has taken the responsibility on herself to supply the curtains. And also another employee Victoria Inch who can be the female version of Scrooge McDuck orders unattractive drapes for the windows. At this point one almost start noticing the drapes of one's window and feels ashamed for the fact that not much effort has gone in to selecting them.
As the drape drama unfolds, the audience finds the supporting cast leading lives of their own, on the screen. Dr. Douglas Deneval is deeply in debt, drinks and has a side affair with his secretary. Even suicidal Steve finds love with another inmate. Now the only person unattached is Vicky Inch who is so angry about the whole drape drama that she threatens to expose Deneval and McIver in the next board meeting. Soon the whole plot is complicated by the arrival of Mrs. Deneval and by now the audience has a tough time keeping pace with the people flitting around the psychotic facility.
The climax has Karen taking the lead to install the new drapes subverting Steve's effort. Steven, mentally disturbed, becomes totally unhinged when his drapes are not put on the window. He does a bunk and a good ten minutes are spent on searching him. Steve finally arrives and in a cathartic revelation forgets about the infernal curtains. Everybody comes on board, and Vicky Inch agrees not to disclose the affairs and other going ons at the instition. The McIver's and Deneval's forget their misunderstandings and work on their marriage and forget their mistresses. Soon all is well with one question hanging around “whose drapes make it”?
One of the most confusing movies I have ever seen, The Cobweb is a crazy, bizarre mix of weird and the incongruent. This one psychiatric facility has not much difference between the doctor and the patients. Everybody moves around madly falling in and falling out of the frames. The director just does not have any clue about the story and just makes the men and women pop out of the curtains and windows.

Tree of Hands (released in 1989) - Starring Helen Shaver, Lauren Bacall and Peter Firth

A psychological thriller by the acclaimed Ruth Kendra is adapted for this movie starring Lauren Bacall, Helen Shaver, Malcolm Stoddard, Paul McGaunnand and Peter Firth in lead roles. Directed by Leonard Maltin, this movie deals with a mother's grief of losing a child.
Benet Archdale is an affluent single mother living in North London. Benet has a dysfunctional family with her mother being a certified schizophrenic. She is a bit wary of her mother's illness with memories of abuse fresh in her mind. In fact her mother tries to stab her with a carving knife!!!!. But soon her mother has to take care of her as, James, Benet's son succumbs to an illness, leaving her distraught and grief stricken. She is not able to function properly in-spite of her mother's best intentions and care.
On the parallel track, is Carol, a mother of seven who is a nymphomaniac with men moving in and out of her life. She is careless with her children and physically abuses each one of them. Many of them have tell tale signs of abuse with cigarette burnings and weals all over the body. Mrs. Archdale kidnaps young Jason, Carol's son to replace James's place in Benet's life. Initially she is not able to reconcile with the other boy's presence and is repulsed by the kid who is very unlike her son.



But Benet soon is horrified to learn of Jason's upbringing and the sympathy turns to affection. She notices the cigarette burns and beating marks on the young body and her indignation turns to love and caring. May be Benet sees herself in the little boy who lacks maternal love just as she did. Soon Benet becomes his mother and Jay bonds with her real well.
But the fairy tale ends there with nosy neighbors, ex-husbands and current flames trying to separate the mother and son. Benet's lover and doctor, Ian tries to reason her to return Jason to his mom. Meanwhile Jason's parents are charged with murder to complicate things. The movie is a sensitive portrayal of a grief stricken mother's action and how it snowballs in to mystery affecting an entire community. Ruth Randell is the queen of intensity and drama and the book with all its viciousness is transformed into a film. This psychological suspense thriller with the high body count leaves you shell shocked and spell bound. The beginning is rather tame, but it evolves in to a very sinister movie. The movie is also known as “Innocent victim” and it is interesting to know that the “Tree of Hands” is one of the paintings which hangs on James's bedside while he is in hospital.
The performances are extremely good and the director Giles has extracted the maximum from all the actors. Helen Shaver as Benet pulls your heart strings and Lauren Bacall shines as the mad schizophrenic mother. Rest of the actors also give a decent outcome. This movie is definitely rated for adults and if you like psychological thrillers. Tree of hands is definitely the one for you.

Written On The Wind (released in 1956) - Starring Rock Hudson, Lauren Bacall, Robert Stack and Dorothy Malone

"Written On The Wind" is a drama from the director, Douglas Sirk's stable. It stars his favorite, Rock Hudson along with Lauren Bacall, Dorothy Malone and Robert Stack. Based on Robert Wolderman's novel of the same name, it is said to be based on the life of playboy Tobacco Heir, Zachary Smith Reynolds. A tale of love, money and greed, it has all the ingredients of a potboiler.
Texas oil baron, Jasper Hadley, is a great success with his business, but his children have totally disappointed him. Plagued with their childhood experiences, Kyle and Marylee are dysfunctional and spoilt. With money power, Marylee seduces every one and is a total alcoholic. Kyle is a womanizer and is heavily drowning in spirits. Kyle finds love in Lucy Moore, a simple executive secretary and marries her after a whirlwind courtship. She is a calming influence in his life and things start looking up for the Hadleys. But alcoholism has made Kyle incapable of fathering a child and this drives him to depression. Jasper Hadley does not make things easier with his high expectations and low appreciation. Kyle is driven by the bottle and starts physically abusing Lucy.



Mitch Reynolds is a geologist in Hadley's oil business. Marylee loves Mitch and even Jasper finds a surrogate capable son that he always wanted. But Mitch loves Lucy, and even if it is a one sided affair, Kyle becomes suspicious of Lucy's fidelity. Jealousy rips the couple apart and physical abuse becomes the norm of the day. Lucy becomes miraculously pregnant but this drives Kyle in to a rage as he suspects the child to be Mitch's. As the result of the push Lucy looses the baby and breaks ties with her husband. Mitch vows to leave town with her as soon as she is well enough. A jealous Kyle tries to shoot Mitch. Marylee tries to reason with him and Kyle is shot fatally in the melee. .
Marylee threatens to implicate Mitch for the murder if he does not return her love. Mitch refuses to be seduced or threatened and stand by Lucy. Marylee implicates him for the murder at the inquest and soon realizes that love can never be won sadistically. She changes her statement and allows Mitch and Lucy to depart to another life. She is left alone to mourn her brother and handle the reins of the company.
The movie is a typical potboiler with lot of sexist elements woven in to it. Sometimes it surprises me, how Mitch could just be with the goody two shoes Lucy who is boring compared to the smouldering Marylee. Dorothy Malone who plays Marylee does a un-paralled act which ultimately won her an Oscar. Stack also performs admirably and is said to have been ignored by the award company under pressure from 20th Century Fox. The movie also had a great outing at the box of ice even if the critics had not favored it much.
But still there is something missing from the whole story, and that being the repetitive story line. How often we have been fed with the spoilt rich kid against the nice poor guys saga? The women are never strong; with poor whimpering Lucy getting all the sympathy and Marylee being torn to pieces because she gets what she wants. The lack of originality is the film's death knell as it cannot stand scrutiny with the passage of time. If one has time on their hands and nothing much to look up to, then try a watch. Not highly recommended though.

Grand Canyon (released in 1991) - A drama film starring Danny Glover, Steve Martin, and Kevin Kline

Grand Canyon may have great actors in the pivotal roles but the movie is essentially a Lawrence Kasdan movie, philosophical and introspective. This 1991 drama has Kevin Kline, Mary MacDonnel, Steve Martin, Mary Louise-Parker and Alfre Woodard as a part of an ensemble cast. This movie tries to understands the guilt, excuses, actions and incidents which shapes a life-time.
Mac is an immigration lawyer, played by Kevin Kline, is a victim of a holdup when his car breaks down at an unsavory location. But help arrives in the form of Simon, a tow truck driver who reasons out with the mugger to let Mac go unharmed. I found this exchange one of the compelling dialogues in the movie where the young thief asks Simon whether he is respecting him because he has a gun – you can almost feel the helplessness of a person raised on violence in this statement. A relieved Mac goes home and tries to think about ways to help his guardian angel Simon. He even feels guilty of his affluent status and also the racial divide separating them. As he makes the first step he is treading on glass, but this quest does change his outlook on racial equations which makes inequality passe.
Meanwhile at Mac's house his wife is also struggling with her mundane life. But everything changes the day when she comes across an abandoned baby while jogging and decides to bring it home. Struck by the fact that somebody could abandon a human life so callously she decides to adopt it and faces lot of resistance. Mac and Claire are faced with a choice, the easier one being letting the baby go to the state and carrying on with their life. But the choice they would make would change their life completely.



Mac's best friend David, is a B-grade film maker who specializes in violent films. In-fact he berates one of his assistants (played by Lawrence Kasdan, himself) for not taking a close up of a “money shot” where the brain splatters on the window. David played by Steve Martin is nothing comparable to his funny self. His brooding face with a grey beard does not even compare to his clown persona in earlier movies. But David has his epiphany when he is shot in the leg by an assailant. During the whole process he begins to question whether his violent movies contribute to the gun culture in the society. He does the turn around, by promising himself not to make the gory film, but to devote himself for eliminating violence from cinema.
As these people turn their life around, the people associated with them also experience the change, triggering a chain of events. Kasdan captures the change beautifully which actually draws you in to the movie. Towards the ending there are no perfect answer's for life's dilemma's as all of them gather around the majestic Grand canyon for a shared vacation trip. Claire and Mac find answers by adopting the baby and coming closer to Simon, but Davis just dismisses his revelations as something temporary.
Grand Canyon is not a regular movie which has all the answers to the characters problems and everything does not end well. It is a beautifully made drama chronicling everyday life where some get the grip of it and some don't. There is no black and white pictures, but only grey foggy areas where one has to make the best of it. The camera angles and the cinematography is very alluring and it does not give the brooding dark movie sensibility which is actually attractive. One needs to just understand it with an open mind and it will soon bind you for life.

Father of the Bride Part II (released in 1995) - A sequel to the 1991 version, starring Steve Martin and Diane Keaton

This movie is the sequel to the hugely successful Father of the Bride which was originally released in 1991. Directed by Robert Townsend, this movie was released in 1995 and once again stars, Steve Martin, Diane Keaton, Martin Short and Kimberly Paisley in pivotal roles with Eugene Levy as Dr. Habib. This movie is also the remake of the 1950 film, Father's little dividend starring Spencer Tracy and Joan Bennett. The story and plot has many similarities but the original version is still not in the public domain.
George Banks after the wedding goes back to his life, and is currently going through a mid life crisis. He wishes to fight the world which makes him old and too set in his ways. He surprises his wife with wacky opinions and a crazy youthful outlook. Nina as usual is nice and understanding but glosses over the “lets be crazy again fluff”. This youthful image is shattered when Annie announces that she is about to be a mother which would ultimately make George a grandparent. George, just as he was not ready to share his daughter, cannot give away his youth. So what does George do, he rebels, goes on a rampage to drink from the fountain of youth, only to realize its gone.
A series of accidents forces George and Nina out of their house and their one night of madness makes Nina pregnant. Nina is ecstatic, but George is shattered, when visions of feeding times and tantrums fill up his mind. Even Annie rebels against her mother for stealing her thunder. But the family rally around a hurt Nina and George once again gets ready for a celebration. But his neuroses is not helped by the arrival of the wacky, zany Franck who promises a grand baby shower for the mothers to be.



So its back to coughing up the moolah to please the girls in his life. A grand baby shower with pelicans and bows followed by double deliveries with the help of crazy Dr. Habib, its classic Steve Martin revelry.
Father of the Bride II does not live up to its predecessor as the characters are too stereotyped. The lives are too amazing to be believed even for a romantic comedy. The antics of Steve Martin is the sole saving grace as he shoulders the entire film on his shoulders. All the other actors chip in with good performances, but they have nothing much to do. The notable feature again is the back ground music by Alan Silvestri which has some great tunes.
This movie was a moderate success but not a critics favorite. It is a feel good movie for the family, but has nothing much to offer. Steve Martin was nominated for American Comedy Award for Funniest Actor in a Motion Picture and also for the golden globes that year for this picture. If you have nothing much to do, and you are a Steve martin Fan, one can catch up with this movie, but do not expect the sparks to fly.

Father of the Bride (released in 1991) - Starring Steve Martin, Diane Keaton, and Kimberly Williams-Paisley

Father of the Bride is a Musical Comedy movie starring Steve Martin, Diane Keaton, Kimberly Williams-Paisley and Martin Short in the pivotal roles. This is a remake of the 1950 movie which had the same name and is directed by Charles Shyer. This feel good movie has inspired many Hallmark Commercials and is considered as the epitome of good peerless fun.
Steve Martin stars as George Banks, a neurotic upmarket Shoe entrepreneur who lives a pretty grand life in the suburbs with his family. His happy family consists of Wife-Nina, Daughter-Annie and Son (Matty). George's idyllic life is shattered when Annie announces her plans to get married to Bryan Mackenzie whom she has known only for few months. Bryan belongs to a well-to- do family in Bel-Air and plans a wedding in 3 months. George considers it a sacrilege to rush in to the wedding but has to agree because of Annie's insistence. Slowly his neurosis and tension about the suitability of Bryan drives George totally insane. The final straw which breaks the camels back come from Franck, a crazy weird wedding planner with a claustrophobic accent who informs him the cost of the wedding i.e 250 dollars per head. George wows to sabotage Bryan and save his Annie and his money.
Nina, the mother of the bride to be becomes super excited and soon delves in with Franck matching ribbons and choosing dresses. She fails to recognize the emotional agony George is going through as the D-day nears by. One of the most hilarious scenes is the one where George, Nina and Annie look through the wedding planners catalog and George goes bananas looking at the cakes, ribbons, flowers and venues. Frank in his customary drawl makes his point sidestepping all the objections to get himself the ultimate expensive wedding.



George cannot bear the fact that Annie will soon be gone from his life. He considers her his little girl whom Bryan is trying to steal. Soon he goes snooping all over Bryan's place looking for clues to get the wedding canceled. But as his snooping succeeds he faces the undeniable fact that Annie, his little girl has grown up and can build a life on her own. He understands that he will never come home to see her in the kitchen with her pajamas and socks. This realization makes him bring about a reconciliation with Bryan and the wedding goes full steam ahead.
In the most touching moments, George sees Annie as she is, a woman ready to take on life on her own. In fact she is the one who steadies George during the long walk on the aisle to give away the bride. George lets go off Annie and looks forward to an empty nest with Nina.
Father of the Bride is one of the most successful movies of the the year and was rightfully the critics favorite. It is number 92 on Bravo's “100 funniest movies of all times”. A great movie for the family it has a great sound track which inspires the senses. Steve Martin as usual gives a great comic performance, but the surprise package is Diane Keaton who flawlessly portrays the level headed Nina. So get ready with all your tissues to enjoy this movie about a father growing up to let go off his beautiful daughter.

Pennies from Heaven (released in 1981) - A musical film starring Steve Martin

Pennies from Heaven is a 1981 Holly wood musical adapted from the BBC drama series of the the same name by Dennis Porter. Porter was nominated for the Oscar for the “best adapted Screenplay category” eventually loosing to the acclaimed “Golden Pond”. Directed by Herbert Ross it stars Steve Martin and Bernadette Peters in the title roles.
This depression era story is about Arthur Parker, a music sheet salesman who is down in the dumps with his relationships and finances. His relationship with his wife hits rock bottom as she frigidly resists his sexual advances. Frustrated by her lack of interest he moves out to sell his music. Joan, Arthur's wife is also un-supportive of his venture to open his own record store. Arthur leaves home threatening never to return.
That fateful day he meets Eileen, a plain school teacher with whom he falls in love at first sight. Eileen leaves with out paying any attention but becomes interested when he follows her to the farm. Soon Arthur and Eileen are engaged in a relationship and he lies to her about his wife. He plays on Eileen's sympathies for a sexual relationship. But soon Arthur returns home to Joan leaving her stranded. Joan and Arthur try to make their marriage work but are frustrated about their different outlook about relationships. Arthur and Eileen on the other hand are sexually compatible with Eileen enjoying his fantasies. Joan reluctantly finances his record store venture, but even that business languishes as customers are scarce. Eileen meanwhile gets pregnant and is fired from her job. She never finds Arthur as all his addresses turns out to be a fake one.



A desperate Eileen is forced to have an abortion and soon is drawn in to prostitution by a pimp, Tom. Arthur and Joan come to terms with their incompatibility and Arthur seeks out Eileen. He finds her as a prostitute and proposition her. Soon they decide to run away to start life anew. But as luck could have it Arthur is framed for the murder of a blind girl whom he helps across a bridge and Eileen runs out on him. Arthur is sentenced to the gallows where he sings out the song “Pennies from Heaven” to underscore the shortness of life. The audience is treated to a dream ending where Arthur and Eileen wind up together.
This movie was a box office disaster even though critical acclaim was more forth coming. The elaborate song and dance routine's sort of bored the audience in-spite of credible acting performances. Steve Martin as a music salesman was appreciated, but the audiences could never accept him in a serious role especially after the success of the comic caper like “Jerk”. It was nominated for 3 Academy awards and Golden Globes. Bernadette Peters won the golden Globe for her portrayal of Eileen. The song and dance numbers are still popular and are lip synced. But still the film lacks a soul to make the audience feel an empathy for the poor sexually starved characters.
I would never recommend watching this movie, better depression era saga's are made for movie lovers.

Susan Lenox (Her Fall and Rise) (released in 1931) - starring Greta Garbo, Clark Gable, Jean Hersholt and Alan Hale

This movie is an adaptation from a racy novel of the same name from David Graham Phillips. Directed by Cedric Gibbons, this early sound film has Greta Garbo and Clarke Gable in the pivotal roles.
Helga is raised by her uncle Ohlin on his farm and has to contend with a grim treacherous life as she was born out of wedlock. Ohlin plans to wed his illegitimate niece to a monstrous Mondstrum whom Helga hates. On the day of a storm Ohlin persuades Mondstrum to stay the night at the farm and he attempts to molest Helga. Fighting off his advances she runs out in to the storm, never to go back. After wandering around she hides herself on a barn and survives the storm. She is soon discovered by Rodney Spencer, an engineer who had the barn for a weekend. Having nowhere to go Helga stays with Rodney and they soon develop a liking for each other. A relationship blossoms and the lovey-dovey pair soon set a date for the wedding.
Rodney has to move out urgently on business and he promises to be back as soon as possible. Meanwhile Mondstrum and Ohlin track Helga down and she flees to save herself from their clutches. She is not able to leave any forwarding messages for Rodney and finds a hideout with a moving carnival. She christens herself as Susan Lennox and work as a dancer/ acrobat for the carnival whose boss, Burlingham has a shady reputation as a womanizer. Rodney meanwhile tracks her down and becomes livid when he comes to know about the “terms of employment”. He leaves in anger after telling her about the consequences she would face.



Susan leaves the carnival and for self preservation and survival becomes the mistress of a driven Mike Kelly who nurses political ambitions. She lives a life of luxury albeit “a kept one”. But by the quirk of fate she meets Rodney whose career has nosedived because of his drinking binges. She realizes that her feelings for him has never changed and clandestinely invites him over for a party. Rodney harboring anger and hate has heated exchanges with her before storming out embarrassing Susan in front of others.
Stricken Susan leaves the comfortable position of a “well kept woman” and tries to track down Rodney. She also meets Ian Keith, a decent honorable man who falls in love with her and proposes to her. He does not care about her checkered past and wants her present for himself. But on finding Rodney, she is momentarily torn between the pure selfless love of Keith and anger in Rodney. But she realizes that her love for Rodney is far greater and both of them reconcile to give a life together another chance.
This movie is a Greta Garbo vehicle who through her star power and acting prowess breathes life in to the role which is handicapped by a weak script. The movie has long gap of silences which bores the viewer. Apart from this the sizzling chemistry between Clark Gable and Garbo lifts the mundane proceedings to another level. This is in-spite of their mutual dislike for each other and is a hallmark of their professionalism. A romantic drama for a rainy day.

Wild Orchids (released in 1929) - starring Greta Garbo, Lewis Stone and Nils Asther

A love triangle of passion and adultery amidst the exotic location of the Javanese tea plantations. This movie was directed by Sidney Franklin and stared Greta Garbo as the passionate, frustrated wife opposite Lewis stone and Nils Asther. This movie was Garbo's seventh silent movie and 15th in her career. It also featured Swedish actor Nils Asther with whom she would star another movie in the same year.
John and Lillie Sterling are a married couple who sail to Java to explore investing options in the Javanese Tea market. John is a workaholic and very neglectful and this hurts his passionate and romantic wife. Aboard the ship, Lillie chances upon an act of violence, where a man severely manhandles his servant for a minor transgressions. This man is Prince de Gace who is enamored by this mysterious and live wire of a woman. He contrives a plan to reach the wife through the husband and develops John Sterlings acquaintance with his vast knowledge about the Tea market.
John is suitably impressed by the Prince and introduces him to his wife. Lillie recognizes the Prince, as the man who was cruel to his servant and does not encourage his attentions. This inflames his passions and the Prince pursues her more. He invites John to stay at his estate ostensibly to develop more understanding about the market and proceeds to woo Lillie. She tries to confide in her husband, but he turns a deaf ear to her entreaties. Lillie in desperation offers to accompany her husband in his professional investigations.



But John refuses her offer and leaves the plantation on his projects. The Prince intensifies his efforts and forces him upon her for a kiss. Lillie, confused about her emotions, embraces and kisses him back. John returns at this moment and the Prince sends Lillie to her room and substitutes a servant girl in his arms. But John suspicions are confirmed when he finds Lillie's earrings. An enraged John plots revenge for his humiliation.
He proposes a Tiger hunt with the Prince and before embarking on the hunt he empties the bullets from the gun. The prince realizes that his gun is empty while shooting a large man eater. He tries to flee when he finds that he would have to combat John, with a fully loaded gun. As the tiger pounces upon him John fires and the Prince gets hurt. Disgusted at his own behavior John plans to leave for America, alone. But Lillie, realizing the John's worth compared to the Casanova in Java reaffirms her love for him.
This silent movie has an amazing sound track with background noises of animals, birds, crowded streets, traffic and the eerie jungle all well laid out. This romantic drama was one of the monster hits of that year with superb performances from Greta Garbo, Nils Asther and Lewis Stone. Garbo as the younger wife of a staid 50's something man who is drawn to the excitement which the Prince offers is simply superb. Catch this movie if you can.

Inspiration (released in 1931) - Starring Greta Garbo, Robert Montgomery, Lewis Stone, Marjorie Rambeau and Judith Vosselli

This movie solely rest on the able shoulders of Greta Garbo with everything, the weak script, low chemistry, insipid acting and tiring story fading in to nothingness. Garbo illuminates each and every scene.
This movie directed by Clarence Brown, stars Greta Garbo as the older women falling for a younger man played by Robert Montgomery. This is the only movie in which Garbo acted with Robert Montgomery. Directed by Garbo's favorite director Clarence Brown, this movie is a modernized version of Alphonse Daudet's novel, Sappho.
Yvonne is a worldly wise model in Paris who has gone through all the vices the world can offer. She goes through her lovers to keep her life in Paris, smokes like a chimney, drinks like a fish and lives life of a gay abandon. At a party he chances upon Andre a small time engineer keeping life afloat and falls in love with him. She leaves her society and all her lovers to live her life with him. But Andre is aghast at her past and Yvonne moves out to give him some space. But soon she returns to start life again and this time a jealous Andre leaves her heart broken. She descends in to poverty and is a pale shadow of her older self.



Both Yvonne and Andre cross paths with each other again and this time he decides to stay put with her. He tries to tell her about a respectable marriage he has contracted and Yvonne begs him to be with her. He also mentions about a great project he has achieved which means traveling abroad. But sensing her desperation Andre chooses his love over his career. He decides to stay with her and buys an estate to keep Yvonne in Paris.
Yvonne slowly realizes the chains she is putting him in. So as he lies sleeping in the couch she writes a letter about her love for him and his need to get on his life and career with out her. She keeps the letter next to him and leaves the place.
This movie was pilloried by all the critics for poor script, and bad acting. It is said that Garbo never liked the character she played and was never pleased with the dialogues. After this movie she had serious differences with the director Clarence Brown and stopped working in his movies. Apart from Garbo's screen presence, the only saving grace of this movie is the art direction. There is one scene where Garbo rejected by her lover, walks aimlessly through the streets of Paris and come to rest at a seedy restaurant. The lighting and the mood brings out the vulnerable woman in her. The lighting and camera angles compliments Garbo in every way and lifts a mundane movie to the next level.
Well nothing much can be said about the other characters because it is just Garbo all the way. Just see it for her sake.

Queen Christina (released in 1933) - Starring Greta Garbo, John Gilbert, Ian Keith and Lewis Stone

This movie is loosely based on the life and times of the Swedish queen Christina. It was an American precode film staring Greta Garbo, John Gilbert and is directed by Edward Mamoulian.
After her father King Gustavus Adolphus of Sweden is killed in battle, six year old Christina enters the throne. She accepts the throne as a king of Sweden and is guided by chancellor Oxenstierna. Although in her younger days she support the war efforts, she soon estranges herself from the courtiers by denouncing the war effort. She tells everybody her decision to negotiate peace for her people. Chancellor Oxenstierna exhorts her to marry the war hero prince Palatine Charles Gustavus and do her royal duty of producing an heir. But Christina refuses to marry without love. She flirts with Count Magnus, her handsome treasury secretary. Magnus is ambitious and jealously guards her affections. Soon tiring out of Magnus's possessive nature Christina rides out disguised as a man to the countryside.
Here she encounters an overturned carriage of the Spanish ambassador, Antonio and she helps them to move the carriage. Antonio takes her to be a country man and coolly murmurs his thanks and rides off. But they meet again at the inn and still mistaking her for a man, Antonio engages her in a lively discussion.



Amused by her intelligence and wit Antonio offers to share his room and Christina accepts. But in the confines of the room Christina reveals her true self and Antonio takes her in to his arms. Soon the lovers spend a gay weekend at the inn immersed in themselves and Antonio returns to court after promising his return to the inn.
Christina also returns to court and is confronted by a jealous Magnus. But she rebuffs him and dresses herself as an angel for the presentation ceremony by the Spanish Ambassador. Antonio is surprised to see her as the queen and accuses her of playing with his emotions. But he presents her with his kings portrait and a marriage proposal which she accepts. She spends time with Antonio which enrages Magnus. He spreads rumors of her scandalous conduct and is confronted by an angry mob. After ordering Antonio back to Spain she confronts Magnus and dismisses him off her affections.
She calls on Oxenstierna to confer about her future and informs the heart broken court of her decision to abdicate. She installs another king and plans to meet Antonio at their inn. But Magnus challenges Antonio to a duel and fatally wounds him by treachery. When Christina reaches him, Antonio dies in her arms. Even in her grief Christina realizes that she had found love and resolves to sail to Spain to see her beloveds castle by the sea.
This movie had won the Mussolini cup at he Venice film festival and marks Greta Garbo's return to cinema after a eighteen month long hiatus. The film was well received by all the contemporary film critics. The highlight of the film is its direction where light and shadow is used to create each frame, a work of art. The last scene of Christina returning home is one of the most beautiful movie frames in the history of cinema. Even though a fictionalized account, this movie is a well made film with believable characters.

The Kiss (released in 1929) - starring Greta Garbo, Conrad Nagel and Lew Ayres

The Kiss was Greta Garbo's and MGM's last silent movie. It is a 1929 drama film directed by Jacques Feyder and starring Greta Garbo, Conrad Nagel and Lew Ayres in his first feature film. This movie was also Garbo's last picture with Conrad Nagel. It is rumored that Garbo had to choose from two movies, the Divorce and the Kiss. Garbo opted for the Kiss and Norma Shearer starred in The Divorce which won her an Oscar. Garbo's career never had an Oscar moment and this was one of the greatest injustices in cinematic history.
Irene, a fascinating young woman is trapped in a loveless marriage with a much older Guarry. She is scared of her husbands jealous nature and silently bears the emotional abuse. A clandestine affair with a young lawyer Andre sustains her, but Irene scared of her husbands fiery nature brings the affair to a close. As they part, a heartbroken Andre leaves for Paris and Irene is once again alone with her loneliness.
Pierre, a young son of a Lyon financier Lassalle, is besotted by Irene. Lassalle is a partner of Guarry. Irene does not reciprocate Pierre's feelings and on the eve of going off to college he begs a kiss from her. She gives him a chaste kiss but Pierre forcibly takes a passionate one. Guarry returns to witness this stormy scene and attacks the youngster. In the scuffle Guarry is killed and Pierre is on the run. Lassalle forces Pierre to keep his silence about this affair.



Irene recounts the whole incident to the police and tries to keep Pierre out of the loop. Her accounts are so full of contradictions and loopholes that the police start suspecting her. Lassalle pitches in saying that Guarry was despondent about the business and was suicidal. Brought to trial Irene is defended by Andre and he gets her acquitted of all the charges. But Irene confesses to him that she indeed had killed Guarry to protect the boy's life. Andre forgives her and the two lovers reunite.
This final silent film had two sounds, the gunshot and the incessant ringing of the telephone. Belgian director Jacques Feyder used both the pantomime format and the aforementioned sound effects -- a gunshot and the incessant ringing of a telephone -- to optimum effect. The screenplay is very weak and only saving grace is Greta Garbo's acting. Garbo breathes life in to the proceedings with her society lady act who is driven to murder. Her acting makes the character's nobility very believable.
The Kiss was a silent film with a sound track and lasted only for 60 minutes. It was not a big box office success, but off late has been on the news for Garbo's luminous presence. Her compassion, love and generosity comes through her kiss with young Pierre.

As You Desire Me (released in 1932) - Starring Greta Garbo, Erich von Stroheim and Melvyn Douglas

This is about a women who has no past and is claimed by many people as their own. “As you desire me” stars Greta Garbo in the title role along with Melvyn Douglas, Eric Von Stronheim and Hedda hopper. This movie was directed by George Fitzmaurice and is adopted from the play of the same name by Luigi Pirandello. This is the only movie where Greta Garbo plays a blonde character. The running time for the movie is 71 minutes and is one of the shortest of her Hollywood movies.
Garbo plays Zara, a sultry night club singer for whom men and booze are a weakness. She lives with Karl Saltzer, a novelist who loves her and tolerates her drinking binges and picking up strange men. Zara never can love Karl as he loves her, and this is evident from her offhand behavior with him. But everything changes when she encounters, Tony at one of her performances. He calls her “Maria” and tells her that she is in fact the wife of Count Bruno Varelli who had gone missing during world war I. He informs her that her husband and himself were looking for her for the past ten years.
Zara scoffs at his claims and orders him out. But his persistence pays off and she relents to meet Bruno Varelli at his estate, much to the dismay of Karl. Karl threatens and shoots her arm to prevent her from leaving him, but Zara moves to Bruno's estate with Tony. Bruno is ecstatic to receive his wife, but Zara arrives as a stranger, not recognizing her servants or Bruno himself. She refuses to stay at the estate but acquiesces to the persistent pleading of the other members. She asks Bruno to help her find in herself, Maria, the women he really desires.
Slowly as their understanding grows, Zara falls in love with Bruno and decides to devote her life to him. But when she actually finds love which had eluded her so long, Karl returns with the final blow.
Karl meets Ines, Maria's sister and asks for her help to expose Zara as an impostor. Ines informs Zara that one week from her return, Maria was to be legally declared dead and all the property would have been transferred to her. She insinuates that Bruno had imposed the identity of Maria upon her to safeguard the property. Zara is devastated and feels that Bruno's love is in-fact for the money. Karl brings in an heavily veiled women whom he claims to be the real Maria. He informs Zara that Maria was imprisoned at a sanatorium to enable Bruno to run the estate. The veiled lady recognizes all her servants and sister, that everybody is convinced that she is the real Maria.
But soon he truth comes out that the veiled lady is in-fact the impostor who had lived among them in the estate. Bruno tired of all the games confesses his love for Zara and tells her that his feelings would never change even if she is proved not to be Maria. Zara accepts his declaration with happiness and they are reunited. This movie was a box-office success for MGM and still considered one of the nicest romantic movies of all times.

Two Faced Woman (released in 1941) - Starring Greta Garbo and Melvyn Douglas

This movie directed by George Cukor stared Greta Garbo and Melvyn Douglas in the pivotal roles. It had Garbo playing a double role and MGM tried to have a make over for her from a super sexy siren to a simple sweater girl.
Workaholic New York Magazine editor Larry Blake visits an Idaho Ski Lodge for a relaxed weekend. Here he meets simple sweet Karin who works as a ski instructor at the lodge. The perennial flirt Larry hits on Karin and a minor accident throws them together for a long time. On an impulsive decision Karin and Larry get married and Larry promises to leave New York and his job for a simple life. But soon his boss O.O Miller arrives with Larry's secretary Ellis and drags him back for a urgent photo-shoot. Larry leaves promising Karin that he would be back pronto. But New York works its charms again and Larry continues his old life.
Karin after many telegrams with Ellis reaches New York and find Larry happily entrenched in his work. She with the help of Ellis goes shopping and gets a make over as her super sexy alter ego Katherine to smite Larry. But at a play backed by Larry, Karin hears him flirting with his old flame Griselda Vaughn. A distraught Karin tries to leave and soon runs in to Larry's boss Miller. She makes him believe that she is Katherine, Karin's twin sister and soon has a dinner invitation from Miller. Larry is dumbfounded to see Karin enter in a super sexy avatar.



He is again taken aback when she drinks, smokes and dances with gay abandon. He tries to ascertain the facts by making a call to the ski lodge and confirms that Karin is indeed Katherine. Meanwhile Karin nursing a huge hang over is recuperating at the hotel when a n amused Larry accosts her. Determined to play her game he proposes to her and tells her that he wants to reform her after divorcing Karin.
Karin orders him out and when he tires to reach Idaho, she reaches before him and pretends to be her old self. Larry continues to play the game and taunts her even though she reveals the truth. Soon an exasperated Karin dumps him to go skiing followed by Larry who promptly falls in to the frozen lake. Karin rescues him and he says ”I am Larry's twin brother”. Karin accepts his joke and reunites with her husband.
This movie was generally pilloried by the public and the critics. It created such a furore for being immoral that the Catholic church urged a blanket ban. Garbo was distressed by the turn of events and battled with MGM over her role. Even though her sunny acting shines through he romantic comedy, insiders report that she was morose and depressed than ever.
This movie was Garbo's final film role after which she turned in to a virtual recluse shunning the public eye. But still I would recommend a look for the sorcery of acting from the genius like Garbo which made even a mediocre movie memorable.

Camille (released in 1936) - Starring Greta Garbo, Robert Taylor, Lionel Barrymore, and Elizabeth Allan

The movie Camille starring Greta Garbo and Robert Taylor has inspired countless songs and love sonnets for the cupid struck heart. This romantic drama made the song “I'll Love Like Robert Taylor, Be My Greta Garbo.” by Milton Benjamin is the great testament for the chemistry shared by the all time greats. This movie was directed by George Cukor was a success at the box office and was also critically acclaimed. The picture is based on the 1852 novel and play La Dame aux Camélias by Alexandre Dumas.
Marguerite Gautier is the Lady of the Camellias because of her marked preference for these flowers. This beautiful French courtesan was generous and large hearted which marks a sharp decline in her savings. To arrest the downward spiral of her income, her friend Providence urges her to find a rich patron. She plans to introduce her to Baron de Varville, a rich man completely besotted by Marguerite's charm. But at the theater Marguerite meets Armand and falls for him thinking him to be the Baron. But she is forced to leave Armand's side when the real baron arrives, but gives him the key to her apartment.
Marguerite becomes the baron's mistress and has a lavish life style. When the Baron leaves for Russia she stays back and again meets Armand. Armand tells her about his deep feelings and urges her to come away with him. Marguerite asks him to come later, but has to rebuff him as the baron has returned.



A heartbroken Armand asks his father for some money and plans to travel the world. Marguerite on receiving his bitter note of farewell goes to met him and he persuades her to come to the country with him. At the country Marguerite's health improves and they spend a gay summer falling in love with each other again. But Armand's father concerned about his son reaches his place and begs Marguerite to leave his son alone. He reminds her about her position in the society and the doom which would fall on Armand if seen in her company.
A grieving Marguerite returns back to the Baron who takes her back but on lesser generous terms. She resumes her life as a courtesan, but the rigors of this life ruins her health completely. Severely ill and in debt she writes to see Armand one last time. Armand returns to her and Camille dies in his arms assuring herself that she never was more happier.
This movie received four academy award nominations including the one for bEst actress for Greta Garbo. She won the New York Film critics circle award for the best actress. It also made the times list of 100 great movies ever made.
This romantic movie is one tear jerker ever made. It tugs at your heart strings and Greta Garbo as the beautiful and vulnerable courtesan with the heart of gold is splendid. Her chemistry with Robert Taylor is something unmeasurable. A really good watch for those rainy days with a blanket and popcorn.

Flesh and the Devil (released in 1926) - Starring Greta Garbo, John Gilbert, Lars Hanson, and Barbara Kent

Greta Garbo, John Gilbert and Lars Hanson star in this silent movie with English inter-titles, directed by Clarence brown. This movie was adapted from the play of the same name by Hermann Sudermann. The plot is the eternal love triangle which brings upon the destruction of a boyhood friendship laced with deception, drama and murder.
The film concerns two boyhood friends Leo and Ulrich who grow up to be soldiers in the German armed forces. As boys they had sworn to be friends and signed their pact in blood. On leave from duty both Leo and Ulrich are greeted by Ulrich's sister Hertha and his mother. In the station Leo meets a breathtakingly beautiful woman and it is love at first sight for him. Abandoning Hertha at the dance floor Leo leaves to be with the beautiful lady, Felicitas who is the wife of Count Rhaden. While they are lip-locked the Count returns and challenges Leo to a duel. The duel takes place under the guise of a card game and Leo kills the Count. He “requests” a movement to Africa from the military court and leaves town with Felicitas promising to wait for him.
But Felicitas soon carries on with life and gets married to Ulrich. She conceals her affair with Leo and the details about her earlier life. Ulrich in the meanwhile secures a pardon for Leo from servitude and Leo returns home. Upon his return all he can think about is Felicitas and is devastated to know her as Ulrich's wife. He starts avoiding Ulrich and this pains his friend.



But Felicitas continues to tempt Leo to continue their relationship. The only person in the know is Pastor Voss who gives a fiery sermon regarding adultery clearly pointing to their involvement. When, racked with guilt, Leo keeps away from Felicitas she proposes to elope with him. But as she packs her bags, Ulrich returns with a diamond necklace which weakens her nerve. When Leo arrives to pick her up, she tells him that she is a slave for Ulrich's money and would like to continue their covert affair. A disgruntled Leo tries to strangle her and is caught by Ulrich. Felicitas turns the tables accusing Leo of rape and Ulrich challenges him for a duel.
Leo and Ulrich reach their boyhood ground for the ultimate duel and Leo refuses to aim at Ulrich. Ulrich gets the wind of things and both of them embrace. Meanwhile Felicitas trudging to the snow to reach them on the urgings of Hertha, drowns in the pool. This movie was well received by the critics and audiences alike. It also marked a turning point for Garbo's professional and personal life.
It was during the filming of this movie that she was romantically linked with her co-star Gilbert which ultimately ended in a wedding from which Garbo backed out on the last moment. She also fought a high pitched battle with MGM studio for a break to visit her family in Sweden and as a reconciliation the studio hiked Garbo's fees. At the end of the filming Garbo was the highest paid actresses of the time.
The movie is very popular in the DVD circuit and an alternate happy ending was also incorporated. In 2006, Flesh and the Devil was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".

Anna Christie (released in 1930) - Starring Greta Garbo, Charles Bickford, George F. Marion, and Marie Dressler

Anna Christie is a landmark film where Garbo makes the successful transition from the silent era to the talkies. It is said that the studio had prepared her assiduously to make the change with success, unlike many other stars who failed with sound. MGM coached Garbo so well that even her Swedish accent was completely removed. Additional publicity material with the tag-line “Garbo Talks” generated more interest in this movie. This movie was adapted from a Pulitzer prize winning play by Eugene O'Neill and was also a silent movie staring Blanche Sweet.
Anna Christie was directed by Clarence Brown and starred Greta Garbo, Charles Bickford and George F Marion. This movie was nominated for 3 academy awards including the one for best actress for Greta Garbo.
Garbo is Anna Christie, a waterfront prostitute who comes in search of her father to the barge. Her father had sent her off to a relative's farm and the abuse had forced Anna to run away and become a prostitute. She never forgives her father for abandoning her. Anna enters a saloon where her father's mistress is drinking and gives her first dialogue, the immortal line “Gif me a visky, ginger ale on the side, and don' be stingy, baby." Marthe, the mistress soon deduces her identity and tells her that her father Chris was hoping to see her as a lady and she would have to be one to refrain from hurting him. Anna agrees for the deception and lives with Chris as the dutiful daughter he is so proud off.



Anna and Marthe rescues a drowning sailor Matt and brings him to the barge. Soon an intimacy develops between the two and they even go on a date to Conney island. But Chris, her father disapproves of the relationship because he want her settled with a stable marriage and a house on the land. Anna also has secrets of her own and Marthe urges her to come clean to prevent a confrontation between Matt and Chris. She reveals her sordid life as a prostitute and Matt leaves in disgust. As Anna picks the broken pieces of her life she finds Matt waiting for her. He tells her that mistakes were made in the past by both of them and he is happy to be the first one to claim her love. The film ends in a happy note with a grand reunion.
The mystique of this film is all the more increased, as it is one of the last movies that Garbo posed for and promoted. She had her last photograph shot with the Maharajah of Kapurthala before retiring from public life. This movie was a monster hit of the year and also won accolades for Garbo's seamless transition and sound. It was also adapted in to the German Language and proved successful in the European markets. It also was made in to the silent version too, to cover more theaters. I would like to add that the secret allure of the movie is Garbo itself. See it for the amazing histrionics of the wonderful Greta Garbo