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Showing posts with label Robot. Show all posts
Showing posts with label Robot. Show all posts

Saturday, July 5, 2008

Metropolis (1927)

The Metropolis was a movie that was seemingly way ahead of its time. It's a movie about the conflict between the rulers (the technologically advanced class) and the the workers who toiled to provide for it all (and who were seen as the subjugated sections of the population). Metropolis depicted this scenario, set in the year 2026, with hugely futuristic settings. The movie was not something that is easily viewable in its original creation - it was deemed too long (at 210 minutes), ruthlessly chopped and modified for multiple reasons (whether to it into the 90 minutes allowed by theatre owners, or because parts of the subject were deemed too controversial in the United States, or because the sound era started soon after and the movie was adjusted in terms of frames per second to fit into the sound compatible format). In addition, parts of the original movie were found in Argentina, and parts of the original movie were never recovered.

Metropolis (1927)

The movie was made in Germany, as probably one of the earliest great science fiction movies, made by Austrian-German director Fritz Lang and one of the most expensive movies of that era, costing around 7 million Reichsmarks at that time (approx $200 million as of now). The movie was written by Lang and his wife Thea von Harbou (in a twist, the movie was praised by the Nazis, and Thea soon became an ardent Nazis; she and Lang finally divorced in 1934).
The society of 2026 was divided into 2 rigid groups with the planners living in luxury, and the workers toiling underground in pretty bad conditions. The skyline has plenty of Gothic style skyscrapers (probably inspiring the Tyrell towers in the classy Bladerunner made much later). The city is run by Johann 'Joh' Fredersen (Alfred Abel), who looks for ways to ensure that the workers remain in their conditions. However, there is a charismatic and beautiful lady, Maria (Brigitte Helm), who advises the workers against trying for a revolt, and instead wait for the arrival of a figure known as the 'Mediator'. It is the Mediator who will bring together these 2 separate sections of society and improve the conditions of the workers. She has an admirer, Frederson's own son, Freder (Gustav Fröhlich), who is disgusted at the conditions in which the workers toil and live, and joins Maria's cause.
And then starts the true future. The scientist and old rival of Fredersen, Rotwang (Rudolf Klein-Rogge), builds a robot in the shape of Maria. He uses this robot to first preach discord in the young rich men of Metropolis and then descends to the underground sections where the robot inspires rebellion in the workers. In this rebellion, they destroy the important 'Heart Machine' and then realize that the destruction in turn causes the flooding of their own quarters. They chase Maria, and burn her, and then realize that she is a robot. The real Maria is chased by Rotwang, and followed by Freder, and in the climatic end, Rotwang falls to his death; and Freder carries out his destiny of being the Mediator by uniting Frederson with the workers.

Sunday, March 9, 2008

Terminator 2: Judgment Day (1991)

For fans watching current action movies, Computer Generated Graphics seem very smooth, barely visible as being different from the flow of the movie. However, there was a time when such CG were rough, easily discernible and unable to handle complicated effects. And then came this movie, Terminator 2: Judgment Day in 1991. The Computer Graphics used in this movie were plain revolutionary, done by a firm called Industrial Light and Magic. This was the turning point in the world of cinema, where the effects used were incredible, causing awe in the minds of fans who would have seen such effects for the first time.
The movie was an incredible success for many reasons. It generated very positive critical acclaim, earned a lot of money worldwide - more than $500 million (even though the movie was the most expensive movie ever made at that point of time, costing approx $100 million), and earned very high reputations for its director James Cameron (who became known for his Midas touch, making the Titanic later, which earned over a $1 billion), as well as for Arnold Schwarzenegger.

Terminator 2: Judgment Day

The movie also earned 4 Academy Awards (truth to say, these were all technical awards - the Academy would never have given any of the picture or acting awards to such an out and out commercial movie). These awards were:
Best Sound,
Best Make Up,
Best Visual Effects, and
Best Sound Editing
The movie takes off from the first Terminator picture. It has now been 10 years since the incidents of the first terminator movie, and the machines decide to play their hand again. They send an advanced model to kill the young John Connor (Edward Furlong), so that the insurrection happening much later can be stopped. This time, the humans do not send a human to protect him, but instead send a modified Terminator series cyborg (similar to the killer of the first machine). The terminator sent by the machines is an advanced machine, capable of changing itself into different forms and shapes (using a technology called liquid metal) - although it cannot convert itself into more complex machinery such a gun. It is still as ruthless as ever, single-minded in its quest to kill John Connor.
John Connor lives with foster parents since his real mother Sarah Connor (Linda Hamilton) has been committed to a psychiatric institution given that she would forever keep on warning about a future man vs. machine war - something that John is very cynical about. There is a climatic sequence very early in the movie when the terminator and the protector cyborg both locate John, and Arnold is able to save him. This was actually the first time that the audience learned that the feared terminator from the first movie is actually a savior.
John learns very early that he is in the cross-hairs of a powerful terminator. He also learns that his mother would be the next target, and manages to order / persuade the savior terminator (Arnold) to save his mother. They reach there, and as soon as Sarah sees the terminator, she is terrified, but is convinced by John that he is there to help. They manage to outrun the advanced model (T-1000). Arnold tells her more about how Skynet was set up, as well as the creator of the network. They soon reach their weapons arsenal, with John trying to understand more about the terminator.
Sarah is over-wrought and soon sets out to kill Miles Bennett Dyson (Joe Morton), the creator of Skynet, and almost succeeds, but John and the Terminator reach there in time. They team up with Miles to destroy whatever he has done; however, in the effort Miles gets killed and blows up the complex. And then follows a thrilling chase where the T1000 chases Sarah, John, and the Terminator. This involves a helicopter, a big liquid nitrogen truck (and the viewers get to see one of the incredible special effects of the movie - the T1000 assembling itself from a pool of solid -> melting to form liquid metal). There are some fight scenes, but in the end, it is a battle to the end. How do John and Sarah survive the fearsome might of the T1000 ?

Friday, July 13, 2007

Blade Runner: Dark portents of the future

There are many science fiction movies that take on interactions with aliens such as ET, Aliens, etc; there is another breed that takes human conflict on a galaxy wide scale such as Star Wars, but there are few movies that take humanity in its home in the future, and portray it in such a dark canvas. Blade Runner is a classic movie set in the society of the future (set in 1982, it looks at Los Angeles of 2019). Looking at where we are now, 2019 does not seem to be like this, but maybe 2039 could be. Blade Runner is a movie that takes a look at the future, and takes all our fears of the future along with mad uncontrolled technological development and delivers an astounding gripping film. Many have called this film as the greatest science fiction movie of all time, and it could be reckoned among the top ones at any point of time.
The movie is loosely based upon a maverick science fiction author; if you have ever read any of Philip K Dick's novels, you will know what I mean. The movie was based on his novel, Do Androids Dream of Electric Sheep. With all the current discussion around cloning, stem cell research and the mixed attitudes around this, it seems unlikely that society will so easily accept the notion of creating beings that resemble us and are yet mechanical; but with a mind of their own, Asimov's Laws of Robotics not figuring anywhere.
This movie had a major production history in terms of difficulty in getting made, and with further collection releases, for more details refer to the Wikipedia entry. It was directed by Ridley Scot (fresh from the euphoria of Aliens in 1979) and was another classical movie in the sense that it was not much of a success initially, only gaining name and applause over the years.
The movie is about the common fear, of robots who are indistinguishable from humans and who are guided by their own thoughts, and thus can be very deadly for humans. And about the blade runner (Harrison Ford) who is almost retired, but is brought back to kill (retire) these robots (replicants). The Tyrell corporation, a leading corporation developed robotics technology to the advanced level of the NEXUS 6 series, where they were able to develop androids identical to humans, but with a designed life of 4 years (as a mechanism to control them). They were being used in off-world colonies as slave labor for dangerous tasks.
These robot slaves do a mutiny in one of these worlds, and an order is passed that any replicants found on earth will be executed (retired) by units called blade runners. No questions, no worries, just a quick execution for any robots found on earth.
Deckard (Harrison Ford) is a retired blade runner who is brought back for another mission when 4 of these replicants make their way to earth after hijacking a shuttle from an off-world to earth. He has to hunt these 4 - Roy Batty (the leader of the 4), Leon Kowalski, Zhora, and Pris. They are on their way to earth to somehow extend their life span of 4 years (going to be over shortly). Deckard also discovers that Tyrell's secretary Rachael, is also a similar robot, showing the true sadistic nature of her creator. She does not know that she is a robot, and she was been implanted with memories from Tyrell's niece in order to make her feel human (although she retains her life expectancy of 4 years).
In the meantime, Roy and Leon are trying to make their way to Tyrell, first using an eye designer called Chew to direct them to Sebastian (who plays chess with Tyrell and can thus get them to directly meet Tyrell). In the meantime, Rachael is humiliated by Deckard, she had come to his apartment to convince him about her humanity, but he exposes her replacement memories to her, thus showing her that she was also an android. In the most human of emotions, she cries at this disclosure.
Soon after, in an incredible chase at the ground level of this dirty city of the future, Deckard shoots Zhora, but shoots her in the back, something that he regrets (even though he has only retired an android). His feelings towards these replicants somewhat change when he is attacked by Leon, and in the nick of time, Rachael saves him by shooting Leon. In another sequence, Roy and Pris convince Sebastian to take Roy to Tyrell, which he does (through the chess game that he normally plays). Once in, Roy asks for an extension to his life, and when denied, he eventually crushes Tyrell's heads in a quick gesture and then kills Sebastian.
As the story reaches onto the last stages, Deckard reaches Sebastian's apartment after a phone call and after a bitter battle, shoots Pris. By this time, Roy has returned, and begins the last bitter fight, over empty apartments and roof-tops. Deckard is getting beaten by the superior power of Roy's robotic self, and after a series of escapes and fights, finds himself hanging onto dear life from a beam. Roy, is also hanging on for dear life with his 4 year limit just about over, and his life form dying away. In a last minute demonstration that the androids have human qualities, Roy saves Deckard and then dies. Deckard returns to his apartment and finds Rachael over there, and they move out to an uncertain future, given her 4 year limited life span. One question remains, was Deckard also a replicant? Never answered clearly.

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