Flatliners (Released in 1990) - Medical and sci-fi thriller - Starring Kiefer Sutherland, Julia Roberts, Kevin Bacon, William Baldwin and Oliver Platt

Directed by Joel Schumacher, Flatliners is a sci-fi thriller which was released in 1990. The movie is about 5 medical students who decide to play God, and find out what lies on the other side. Conducting dangerous experiments and trying to one up each other, the movie gradually shifts from sci-fi to drama. The 5 medical students are played by Kiefer Sutherland and his band of experimentalists, Kevin Bacon, Julia Roberts, Oliver Pratt and William Baldwin.
Being a medical student and learning to become a doctor, always leads to students trying to play God. After all, how can one look patients in the eye and tell them what to expect, if they themselves do not know. So, conducting an experiment to medically die and then be brought back to life sounds like an interesting theme for a movie.
The film begins with Nelson (Kiefer Sutherland) a medical student, toying with the concept of afterlife. Having heard stories and experiences of what the “other side” is all about, Nelson tries and successfully convinces 4 of his classmates (Randy, Joe, Dave and Rachel) to take part in an extremely tricky and tremendously dangerous experiment with him. They each decide to flatline for a minute or so to see for themselves what lies on the other side.
Nelson goes first. Once dead, he sees the image of Billy Mahoney, a child he had bullied as a kid. Within a minute, his friends resuscitate him, but he does not go into the details of what he saw. Next to flatline is Joe (William Baldwin) who has an erotic afterlife vision. After him is Dave (Kevin Bacon) who has a vision of a girl, Winnie Hicks, whom he had bullied and taunted as a child.
What follows next, are hauntings. All 3 of them are haunted by the visions they saw in the afterlife. And worse, Nelson seems to be getting cuts and bruises on himself after every episode of Billy haunting him. Joe who is supposed to be married soon is haunted by the home videos he had filmed of his sexual encounters with women. And Dave is also haunted by Winnie. He keeps seeing her everywhere, taunting him. However, none of them tell the other what exactly it is they saw.
Rachel (Julia Roberts) insists on flatlining next. And finally the group caves in and allows her. Once she flatlines, she sees her father who had committed suicide when she was younger. They barely manage to get her back, as the electricity goes out when she is under. Once she is brought back, she keeps seeing visions of her father and is haunted by them, just like the others.




Gradually they all start to open up about their visions with one another. And Dave decides it is time to make amends. He tracks down Winnie, and apologizes to her. She accepts his apology and he feels a lot better. Nelson, who had come with Dave and was waiting back in the car, sees Billy running across the road and then next to him in the car. He is attacked by Billy with a pickaxe and is saved just in time by Dave, who tells him he was having a hallucination and was actually attacking himself with the pickaxe.
Next, Joe’s fiancé turns up unexpectedly and finds out about the home videos. She leaves him and Joe feels as if a weight has been lifted off him. Finally Nelson decides to take Randy and Joe to a grave site, which turns out to be that of Billy, the kid Nelson and his friends had accidentally killed as children. Nelson leaves saying it’s time to set things right.
Meanwhile, Rachel sees her father and finds out he was addicted to heroin. He apologizes to her and she feels like she can let go. Later, they all get a phone call from Nelson saying he is going to flatline again to make things right. They rush to help him and talk him out of this fool hardy plan, but arrive nearly 9 minutes after the phone call.
On the other side Nelson replays the entire accident that took place and somehow trades places with Billy. Billy forgives him, and in a last desperate when attempt Dave tries to resuscitate Nelson, he regains consciousness.
While the basic theme of the movie starts out as something interesting, the constant death and resuscitation becomes somewhat boring. To add to this, the visions experienced by the med students convert the film from a thriller to a horror movie. All the stars have done a brilliant job, showcasing the right mix of foolhardiness, fear and intensity. But, where the movie starts out with loads of interest, it soon falls into a mundane pattern; making the viewer wish the screenplay had been just a tad bit more thrilling and suspenseful.

The Last Horizon (released in 1937) - starring Ronald Colman and Jane Wyatt, and directed by Frank Capra

This 1937 movie directed by Frank Capra is adapted from the novel of the same name by James Hilton. This fantasy movie starred Ronald Coleman and Jane Wyatt.
Richard Conway is a man of many talents and is the new British Foreign Secretary. He is a famous Writer, Soldier and highly sought after diplomat. As an armed revolution threatens China he rescues the stranded foreigners in Baskul and escapes with the last of the evacuees. But unknown to him their plane is hijacked and crashes in a remote Himalayan kingdom killing their abductor. They are rescued and taken to Shangri-La, an idyllic valley sheltered from the bitter cold which is headed by a mysterious head Lama.
Here the passengers find their idyllic life very much to their liking. Most of the newcomers grow to love Shangri-La, including paleontologist Alexander Lovett, swindler Henry Barnard, and bitter, terminally ill Gloria Stone, who miraculously seems to be recovering. Richard finds the lovely Sondra whose allure and beauty mesmerizes him. But his younger brother George and another young woman Maria from Shangri-La are bent upon leaving the place. They constantly try to persuade Richard to leave the place.



Richard gets an audience with the Lama, who tells him that his presence in Shangri-La is no accident. His talent and wisdom had impressed them to choose him to be the leader of Shangri-La. The Lama informs him that Shangri-La is a mystical place where people do not age, fall sick or wither with age. He designates Richard as his heir and passes away.
George, depicts the story as mere fantasy and persuades Richard to leave the place. They move on with Maria who upon leaving Shangri-La reaches her real age and dies. George looses his sanity and commits suicide. Richard continues his journey and slowly looses his memory. But on the voyage back to England he remembers all and jumps from the ship rendering him untraceable. He anyway gives an account of his adventures to others traveling with him. Then he makes him way to Shangri-La to continue his task entrusted to him by the Lama.
The movie has major deviations from the book and this has been a sore point with the audience who wanted a faithful adaptation. This movie was one of the expensive movies made in the 30's which drove a rift between the studio and the director. It was not received well and never recovered its money for a long time, meeting costs after 5 years. After it was re-shot and edited it was released to garner some box office success. The critical reception was a mixed one with some critics praising it and others rubbishing the work. It was nominated for 7 academy awards wining the award for Best Art Direction, and Best Film Editing. It lost the award for the best Picture narrowly to the ultimate winner “The life of Emile Zola”. But the movie pioneered high technological advances which were used to film the Himalayan Scenes. A watchable movie if you are interested in the sci-fi Genre.

Star Wars – The Empire Strikes back (released in 1980) - directed by Irvin Kershner, and starring Mark Hamill, Harrison Ford, and Carrie Fisher

Continuing where New hope has left, George Lucas pens the story of Luke, Leia and Solo's adventure's through galaxies, planets and space battles.
Despite the destruction of the Death Star, the rebel forces have suffered massive causalities and are forced in to hiding in an icy planet Hoth. Darth Vader, obsessed with the capture of Luke has sent in probes across the galaxy to find information. One of the probes reach Hoth and crashes as a meteor. Luke goes to find it and is captured by an evil predatory creature called a Wampa. Luke with the help of the force retrieves the light saber to slice the Wampa and escape. But he soon collapse out of cold and exhaustion. Hans Solo who rescues him and brings him to the base. Luke has visions of Obi-Van-Kenobi exhorting him to go to Dagohaath and train under the legendary Jedi master, Yoda.
The imperial probe sends in the position of Hoth as a rebel base and is destroyed by Darth Vader. But Rebel troops evacuate and Solo and Leia leave aboard Millennium Falcon. Darth Vader tries to capture them but they manage to slip away. Mean while Luke reaches Dagohaath and s under intensive training with Yoda. Darth Vader under takes Boba Fett a bounty hunter to capture Hans Solo. Hans and Leia reach Solo's friend Lando Clarissian's Cloud city for asylum. But Clarissium, threatened by Vader turns them in. Hans is frozen and is given to Boba Fett as a bounty to be presented to Jabba the Hutt. Leia and Hans fall in love with each other but are separated.



Luke under training gets premonitions of Hans and Leia and leaves to rescue them promising Yoda to return and complete his training. Meanwhile Lando Clarissium chastened by Vader's betrayal returns to rescue Leia and Hans. But Boba Fett flies away with Hans to Jabba the Hutt. Luke who goes to fight Vader is attacked and cornered wherein Vader offers him great riches to join him. But Luke rebuffs Vader's offer which angers him to slice away his hand. As an ultimate inducement he reveals to Luke that he is his father. A stunned Luke lets himself to be sucked in to the training chute and sends a telepathic message to Leia. Leia along with Lando rescue him and carry him aboard the rebel ship where he is fitted with a new hand. The film ends with Luke's new hand and the staggering revelation about his father.
The second episode was one of the most eagerly awaited movies and not surprisingly the box office scorcher of that year. George Lucas and his team had delivered an iconic classic and again was followed by audience adulation and critical acclaim. It won Oscars for the best special effects and best back ground score. In addition it also won the Golden Globes, Grammy and BAFTA awards. The Saga continues with new viewers and even in the face of more technologically advanced films of the century Star Wars holds its on through sheer brilliance. The Force is still with the movie.

Meteor (released in 1979) - a disaster movie about a meteor and efforts to evade it - starring Sean Connery and Natalie Wood

Meteor is directed by Ronald Neame and stars Sean Connery and Natalie wood. This movie is one of the last flicks of the disaster movie genre's of the 70's. This movie is inspired by the MIT project Icarus which talks about deflecting meteors by a missile strike. A voice over at the end of the film credits Project Icarus as an inspiration.
It deals with the asteroid which is on the collision course with earth and the efforts of the scientists to deflect it. A meteor five miles in diameter is on collision course with the earth. While the scientists and politicians scramble to contain the threat, the smaller meteor fragments shower down creating wide spread destruction. Soon the two super powers of the cold war era, the USA and the Soviet union have to shoulder the responsibility of averting this threat.
The United States has an orbiting nuclear missile platform in space called the Hercules. The similar platform of the soviets is called Peter the great. Neither the Soviets nor the Americans are willing to admit to their existence.



Soon the US president disregarding the advice of his military think tanks goes on live national television and admits to the presence of Hercules. He urges the Soviets also to do so. These are the only two stations capable of attacking and deflecting the incoming meteor. Soon Dr. Bradley who put the above station Hercules in space is called upon. He calls his soviet counter part Alexei Dubov to assist him. He even agrees to Dubov's suggestion of treating the orbiting missile unit as a theoretical thing since the soviets have not acknowledged its existence. The expert duo reach the head quarters run by commander Adlon to chalk out a strategy to deflect the meteorite. Bradley has an unenviable task of breaking the ice and distrust between the commander and Dubov.
Finally the Soviets admit to the platform's existence. They pitch in with their support. Missiles are launched first from Peter the Great and then Hercules. In the mean time a meteor fragment has destroyed new York with the head quarters situated in the Sony Building also decimated. The world trade center and many buildings are destroyed. People are killed and survivors are trapped in the debris. Chilling moments happen when the survivors have to dig themselves out from the debris with the river threatening to breach the tunnels.
But up above missiles of both the nations in a rainbow coalition meet its target. The director to add to the suspense, times the survivor's heroic rescue and the missile's exploding happening at the same time. In the end, meteor Orpheus is deflected from the collision course and the Earth is saved. Dubov and his interpretor Tatiana Donoskyaya board the plane back to Russia with enormous goodwill.
But this movie generated no goodwill at the box office. It tanked at the hustings and brought down its production house, American International Pictures. It made the dubious distinction of being one of the fifty worst movies of the century.

Cube (released in 1997) - Now a cult movie

Imagine a movie in which you see a set of characters being put in a weird setting where they can get killed by sudden moves, where there is no recollection of why they are placed in that location, and where answers need to be figured out, and tested out one by one (and where figuring out the puzzle incorrectly can result in serious injury or death). It would almost seem like the viewer only knows as much as any of the characters, and even the characters keep on changing personalities through the movie. Combine that with the movie being made by a newbie director, and being made on a low budget, and you can consider such a movie to be a 'blink and miss' kind of movie. Movies like this come and go, and you won't miss much.
Well, Cube was nothing like that. The movie was a decent commercial success, including overseas (especially Japan and France) and is now considered a cult hit. The movie inspired 2 more movies - Cube 2: Hypercube (2002) and the prequel Cube Zero (2004). It was also nominated for a few awards (not the Academy awards though). The movie was a real low budget one, and had some complex mathematics involved if the viewers wanted to figure out what the logic being used inside the cube were.



Cube is the story of a group of people who find themselves inside a white room, cube shaped, with no idea of why they are there. When they compare their professions, there does not seem to be any commonality between them, with people being a police officer, a doctor, and so on. They resolve to move as a group and to try to escape, but are foundering about what to do. There are 6 doors in the room, one in each wall, one in the ceiling, and one in the wall. The doors lead to more rooms, and problematically, some of the rooms are booby trapped; entering could lead to a painful death - as happens to one of them when he enters a room and is sprayed in the face with acid that kills him.
The set of people are facing 2 main issues
- Quentin, the police officer and the one who seemed to be the most responsible is losing his head, and attacking the others in the group. On the other hand, Dr. Holloway, who seemed to be the most unstable at the beginning, begins to show a great deal of stability as the movie progresses
- The mathematics involving prime numbers to figure out which cube was a trap or not was complicated enough (until the idiot savant Kazan shows his great mathematical talent for doing these calculations), but then they learn that the cubes are also on the move, doing a complete movement before returning to their original position, and that the timeframe to escape is limited.

The Day After Tomorrow (2004) - Global Warming scenario accelerated

This was a movie released in 2004, at a time when the Bush Administration was steadfast in claiming that there was no global warming (or rather, that the science proving it was not confirmed), and there were sections of the scientific community and in society that were unhappy over this attitude of the administration. The fact that the admnistration was much closer to the business community which would be affected if measures needed to be taken to fight global warming compounded the response of this section of society. So keep in mind this fact while watching the movie, given that it touts that global warming can cause huge damages to our community, and that the political leadership is too blinkered to be able to take effective measures.
Global warming is a fact, and nations all over the world are talking (mostly talking) about how to address this problem, and are debating who needs to take what steps. It is a game for rich nations to worry about the effect on the economy, a huge debate between rich and poor nations about responsibility and steps to be taken, but it is coming and will keep on affecting us. This movie took the scare due to global warming to a much higher level, and keep in mind that there are almost no scientists who share the vision of a much accelerated change that is shown in the movie.



The movie was hugely successful (earning more than 650 million dollars), and brings to its viewers a vision of the full power of Mother Nature. The movie however did not earn much critical acclaim for its scientific background, and was criticized by a number of scientists working in the Global warming area; the feeling being that the movie, by showcasing a sudden onset of disaster and moving away from the decades based impact of global warming and makes the whole science seem freakish and unconvincing. One area where the movie won a lot of praise was in the area of its special effects, especially the disaster scenes.
The movie starts with scientific research on the ice shelf, Larsen Ice Shelf. Jack Hall (Dennis Quaid) is drilling for ice cores in the Antartic for NOAA. Suddenly, the ice shelf separates, and Jack almost dies. Jack travels to a conference on Global Warming in New Delhi where diplomats from all over the world have gathered in order to present his theory, but of course, politicians (including the Vice-President of the United States (resembling Dick Cheney)) refuse to believe him. However, the weather has other ideas. Another scientist (Professor Terry Rapson (Ian Holm) of the Hedland Climate Research Centre in Scotland) looks at Jack's theory and does not dismiss it. When he returns to Scotland, data from 2 water buoys in the North Atlantic show sudden drops in the temperature of the water. Unknown to humanity, the deep chill caused by global warming has begun.
Professor Rapson and Jack talk about Jack's theory, but Jack's theory was over a long period of time, not supposed to happen suddenly. Jack starts to build a computer model based on his theory, and on data, and the model is horrific in terms of what will happen. And the weather systems all over go haywire. Tokyo is hurt by a huge hailstorm, Los Angeles is decimated by tornadoes, planes get caught in the weather turbulence. Eventually, air traffic is stopped. British RAF helicopters are suddenly frozen as they pass through the eye of a superstorm. The human element to the movie is the father-son relationship between Jack and his son Sam (Jake Gyllenhaal) who have travelled to New York City for a competition, when the weather system turns haywire. Jack heads to New York to get them back to safety.
The predictions of storms, of an ice wave are so strong that it is recommended to evacuate the Northern Unites Stated and move to the South and to Mexico. In the meantime, Sam along with friends have taken refuge in the New York Public Library. Eventually, Jack manages to make it to the Library and get help for everybody over there, after the superstorm has passed.

Apollo 13: 'A successful failure'

Why the title of 'A successful failure' ? Well, because the third manned mission to the moon, part of the Project Apollo was a failure to make it to its target, but managed to be successful in a return journey back to Earth. There had been 2 successful moon landings so far, a major success for the US in its space program. The 3rd such mission did not have the same amount of public involvement, and yet turned out to be an extremely riveting adventure, because of the drama involved. An explosion in space, power failure, less air, and the consequent on-the-spot-engineering to make things work out and get the 3 astronauts back to Earth made for an excellent story waiting to be told. The incredible thing was that it took so long to be made into a movie, released at a time when the current generation would not know or remember about this incident.



The whole incident was turned into a 1995 movie starring Tom Hanks, Kevin Bacon, Bill Paxton, Gary Sinise and Ed Harris; the movie was in turn based on a book called 'Lost Moon' by Jim Lovell (the actual commander of the 1970 Apollo 13 mission; the other members of the mission were Command Module pilot John L. "Jack" Swigert, and Lunar Module pilot Fred W. Haise) and Jeffrey Kluger. The movie was praised by critics for a good dramatization of an epic episode during the space race while being accurate to the actual events and the scientific facts. Some of the scenes involving weightlessness were filmed abroad the NASA flight that is actually used to mimic microgravity for a brief periods of time, the KC-135 aircraft called the 'Vomit Comet'.
The movie starts out with details of the build-up to the Apollo program, covers the first landing on the moon, and then moves onto the actual planning of the crew for the Apollo 13 mission, including the fact that the crew was not originally planned for this mission. The movie then covers the lift-off into space with a slight problem, and soon moves into the actual disaster, with the explosion, leaking of the oxygen tanks, cancellation of the lunar landing mission, and then the entire drama of the magnificent engineering feats involved in working out how to get the crew back from deep space (where there is no possibility of a rescue mission).
The movie was nominated for 9 Academy Awards and won 2 awards (but none of the acting and other high profile awards):
* Won - Best Film Editing — Mike Hill, Daniel Hanley
* Won - Best Sound Mixing — Rick Dior, Steve Pederson, Scott Millan, David MacMilan
* Nominated - Best Performance by an Actor in a Supporting Role — Ed Harris
* Nominated - Best Performance by an Actress in a Supporting Role — Kathleen Quinlan
* Nominated - Best Achievement in Art Direction — Michael Corenblith, Merideth Boswell
* Nominated - Best Original Score — James Horner
* Nominated - Best Picture — Brian Grazer
* Nominated - Best Visual Effects — Robert Legato, Michael Kanfer, Leslie Ekker, Matt Sweeney
* Nominated - Best Adapted Screenplay — William Broyles Jr., Al Reinert

Metropolis (1927)

The Metropolis was a movie that was seemingly way ahead of its time. It's a movie about the conflict between the rulers (the technologically advanced class) and the the workers who toiled to provide for it all (and who were seen as the subjugated sections of the population). Metropolis depicted this scenario, set in the year 2026, with hugely futuristic settings. The movie was not something that is easily viewable in its original creation - it was deemed too long (at 210 minutes), ruthlessly chopped and modified for multiple reasons (whether to it into the 90 minutes allowed by theatre owners, or because parts of the subject were deemed too controversial in the United States, or because the sound era started soon after and the movie was adjusted in terms of frames per second to fit into the sound compatible format). In addition, parts of the original movie were found in Argentina, and parts of the original movie were never recovered.



The movie was made in Germany, as probably one of the earliest great science fiction movies, made by Austrian-German director Fritz Lang and one of the most expensive movies of that era, costing around 7 million Reichsmarks at that time (approx $200 million as of now). The movie was written by Lang and his wife Thea von Harbou (in a twist, the movie was praised by the Nazis, and Thea soon became an ardent Nazis; she and Lang finally divorced in 1934).
The society of 2026 was divided into 2 rigid groups with the planners living in luxury, and the workers toiling underground in pretty bad conditions. The skyline has plenty of Gothic style skyscrapers (probably inspiring the Tyrell towers in the classy Bladerunner made much later). The city is run by Johann 'Joh' Fredersen (Alfred Abel), who looks for ways to ensure that the workers remain in their conditions. However, there is a charismatic and beautiful lady, Maria (Brigitte Helm), who advises the workers against trying for a revolt, and instead wait for the arrival of a figure known as the 'Mediator'. It is the Mediator who will bring together these 2 separate sections of society and improve the conditions of the workers. She has an admirer, Frederson's own son, Freder (Gustav Fröhlich), who is disgusted at the conditions in which the workers toil and live, and joins Maria's cause.
And then starts the true future. The scientist and old rival of Fredersen, Rotwang (Rudolf Klein-Rogge), builds a robot in the shape of Maria. He uses this robot to first preach discord in the young rich men of Metropolis and then descends to the underground sections where the robot inspires rebellion in the workers. In this rebellion, they destroy the important 'Heart Machine' and then realize that the destruction in turn causes the flooding of their own quarters. They chase Maria, and burn her, and then realize that she is a robot. The real Maria is chased by Rotwang, and followed by Freder, and in the climatic end, Rotwang falls to his death; and Freder carries out his destiny of being the Mediator by uniting Frederson with the workers.

Terminator 2: Judgment Day (1991)

For fans watching current action movies, Computer Generated Graphics seem very smooth, barely visible as being different from the flow of the movie. However, there was a time when such CG were rough, easily discernible and unable to handle complicated effects. And then came this movie, Terminator 2: Judgment Day in 1991. The Computer Graphics used in this movie were plain revolutionary, done by a firm called Industrial Light and Magic. This was the turning point in the world of cinema, where the effects used were incredible, causing awe in the minds of fans who would have seen such effects for the first time.
The movie was an incredible success for many reasons. It generated very positive critical acclaim, earned a lot of money worldwide - more than $500 million (even though the movie was the most expensive movie ever made at that point of time, costing approx $100 million), and earned very high reputations for its director James Cameron (who became known for his Midas touch, making the Titanic later, which earned over a $1 billion), as well as for Arnold Schwarzenegger.



The movie also earned 4 Academy Awards (truth to say, these were all technical awards - the Academy would never have given any of the picture or acting awards to such an out and out commercial movie). These awards were:
Best Sound,
Best Make Up,
Best Visual Effects, and
Best Sound Editing
The movie takes off from the first Terminator picture. It has now been 10 years since the incidents of the first terminator movie, and the machines decide to play their hand again. They send an advanced model to kill the young John Connor (Edward Furlong), so that the insurrection happening much later can be stopped. This time, the humans do not send a human to protect him, but instead send a modified Terminator series cyborg (similar to the killer of the first machine). The terminator sent by the machines is an advanced machine, capable of changing itself into different forms and shapes (using a technology called liquid metal) - although it cannot convert itself into more complex machinery such a gun. It is still as ruthless as ever, single-minded in its quest to kill John Connor.
John Connor lives with foster parents since his real mother Sarah Connor (Linda Hamilton) has been committed to a psychiatric institution given that she would forever keep on warning about a future man vs. machine war - something that John is very cynical about. There is a climatic sequence very early in the movie when the terminator and the protector cyborg both locate John, and Arnold is able to save him. This was actually the first time that the audience learned that the feared terminator from the first movie is actually a savior.
John learns very early that he is in the cross-hairs of a powerful terminator. He also learns that his mother would be the next target, and manages to order / persuade the savior terminator (Arnold) to save his mother. They reach there, and as soon as Sarah sees the terminator, she is terrified, but is convinced by John that he is there to help. They manage to outrun the advanced model (T-1000). Arnold tells her more about how Skynet was set up, as well as the creator of the network. They soon reach their weapons arsenal, with John trying to understand more about the terminator.
Sarah is over-wrought and soon sets out to kill Miles Bennett Dyson (Joe Morton), the creator of Skynet, and almost succeeds, but John and the Terminator reach there in time. They team up with Miles to destroy whatever he has done; however, in the effort Miles gets killed and blows up the complex. And then follows a thrilling chase where the T1000 chases Sarah, John, and the Terminator. This involves a helicopter, a big liquid nitrogen truck (and the viewers get to see one of the incredible special effects of the movie - the T1000 assembling itself from a pool of solid -> melting to form liquid metal). There are some fight scenes, but in the end, it is a battle to the end. How do John and Sarah survive the fearsome might of the T1000 ?

The Terminator (1984): An incredible action movie

Movies that are based on science are sometimes successful (take Spielberg's movies - Close Encounters.., ET, Back to the Future, etc), but many more are unsuccessful. All of these movies portray science as not very hostile, and then came in the hard science fiction movies, with Aliens and The Terminator being movies that were more action oriented, less warm and fuzzy, and very successful. For example, The Terminator cost around $6.5 million to make, and earned around $78 million worldwide. It was a critical success as well, and set the stage for sequels to be made. The movie also played a big part in making Arnold Schwarzenegger that super-star that he became.



The irony around this is that Schwarzenegger was not the first choice for the role, the role of the terminator was initially envisaged to be a small person, not particularly unremarkable. Schwarzenegger was first offered the role of the human from the future, but there was a realization that Schwarzenegger was better suited for the role of the terminator, and that automatically made the role of the terminator to be a big muscular man.
The movie is based on the concept of a future where the machines rule and the humans are fighting back, led by a brave and great hero, John Connor. The machines are able to plan a great deal, including creating robots with living tissue over a metal skeleton (cyborg) in order to better infiltrate the rebel humans, but are unable to score a clear victory. And then the machine leader, the intelligent network Skynet, thinks of a diabolical plan (although would be apparent to anybody in the age of time travel). A cyborg is sent back to 1984 to kill the mother of the rebel leader, Sarah Connor (based in Los Angeles). The humans are able to also send back a rebel soldier, Kyle Reese, to try and protect her.
And thus start the action. The cyborg is a robot, it cannot be reasoned with, it cannot be destroyed with small arms fire, and is ruthless. The robot starts with the phone book, where 3 Sarah Connors are listed. It kills the first 2, and is hunting for the third. When he is trying to kill the third, she is protected by Kyle, who explains his mission and who the cyborg actually is. He can only use current machinery since time travel did not allow him to get back superior weapons, a handicap against the cyborg, aka the Terminator.
When the terminator attacks again, there is a chase, where they are arrested. Typically, the police see a number of weirdos every day, and if you start to spin a story about a robot from the future trying to kill, then it is unlikely that you will be believed, especially if being examined by a shrink. And so their story is not believed. The terminator arrives at the police station and asks for Sarah and Kyle, but is thwarted. Then comes an epic one liner, "I'll be back !", and so he does, attaching the police station with a powerful vehicle.
A full scale attack on a police station ? The police fight back, but against a terminator incapable of being killed by their weapons, useless. The terminator kills 17 policeman, but Reese manages to escape with Sarah. They try to hide at a motel where Reese shows Sarah how to make pipe bombs. The scene turns a bit romantic, no doubt furthered by the close escape from the terminator, and they make love (ending up conceiving the future leader, John).
The Terminator manages to track them down, and the situation is now near the end-game. Reese is wounded in the attack, but are able to attack the terminator with a bomb, causing extensive damage to its metal skeleton. However, even the remaining shell of the skeleton is after them, and they escape into a factory. Reese manages to destroy the legs of the Terminator, but at the cost of his own life. It is Sarah who finally destroys the upper part of the skeleton in a machine press, where finally the terminator is killed / terminated / made inactive.
The movie ends with scenes showing Sarah preparing for the future, pregnant with Reese's son (who will become John), traveling in Mexico, staring into an uncertain future.
The movie has a big cycle around time that could confuse you if you started thinking around it. The man who will save the rebel humans is John Connor, son of Sarah Connor and Kyle Reese. Reese in turn is a man from the future, who only came into Sarah's life because he was sent back by John. This is a cycle, with no start and end.

The Saint (1997) - An adventure

Some years back, the quest to make limitless energy from the concept of cold fusion seemed like the answer to our energy ills; it was propounded as the next frontier in research - unfortunately, the entire research imploded in a drama of falsehood and accusations. The Saint, use the theme of cold fusion as the central scientific thread running through the movie. However, the movie is more than that. It gives the 2 main characters of Val Kilmer and Elizabeth Shue a good platform to display their acting abilities, and I liked Val Kilmer in this role.
The Saint is not a new concept, being based on the main characters of Simon Templar in the series of books (created in 1928) by Leslie Charteris; these books were published under the series 'The Saint'. These series finally ended in 1983, and also found their way into multiple movies, a radio series of the 1940's, a British television series starring Roger Moore, and others.



In a slight deviation from the original, this movie does not have the hero claiming to be the character from the book, but the name is instead combined from 2 names, Simon from Simon Magus, and Templar from the Knights Templar, a medieval sect of warriors. The movie also had an interesting twist; in the original version, the female lead, Dr. Emma Russell is killed and Simon Templar goes back to do battle, to avenge her, leading to a final climatic battle with guns, tanks, exploding oil, and so on. However, test audiences did not like this ending, and the movie ending had to be changed drastically, ending in the current form.
The movie has a fair amount of adventure and action, with some amount of unbelievability. To be able to get into the Russian President's bedroom, bypassing his entire security, and that too without much external support seems somewhat difficult, but the Saint managed it without too much effort.
The movie is essentially about the scientific efforts of Dr. Emma Russell, who is developing the formula for cold fusion, and has achieved some success in it. On the other hand, there is Simon, who has been tormenting the British police with his various heists, committed under different names (each name being that of a different saint). He has one final heist left so that he can reach the $50 million mark. This comes to him in the form of a Russian oligarch, Ivan Tretiak, who wants to get the Presidency of the Russian Federation, and wants to hire The Saint to steal it. After some hesitation, when threatened with the death of Dr. Emma, Simon agrees to do it.
He woos Dr. Emma, steals it and then turns it overs to Ivan. It is however incomplete. In the meantime, Dr. Emma comes to Moscow after him; and Tretiak is now after both of them.
The action gets more heated up, and leads to the Russian President's bedroom where Simon bursts in, and then Tretiak and his son comes in to capture both of them. Tretiak plans to expose the President's wasteful expenditure in buying such a formula in a show trial. However, during this process, the missing part of the formula is released, and the experiment is shown to be a grand success. The President quickly resumes power. There is a final tease scene where The Saint shows himself to British police, and then meets Dr. Emma.

Back to the Future (1985)

Back to the Future was another movie from the Steven Spielberg stable, this time not directed by him. The movie was directed by Robert Zemeckis, with Steve Spielberg being the producer. The movie had some struggle in getting made, because of 2 conflicting opinions. One studio felt that showing a possible relationship between a mother and son (even though the clash due to time travel could bring out such a situation) was undesirable, on the other hand, due to movies like Porky, other studios felt that this movie was not risque enough. Even the selection of Michael J Fox was not automatic, with some initial shooting happening with Eric Stolz, but after some time, with Michael J fox being able to devote time to the movie, he was made the main lead replacing Stolz.


The Back to the Future version 1 was so popular and money-making that sequels had to be made, and hence within a few years, versions 2 and 3 came out (not doing as well as the first Back to the Future, but still making around a $100 million apiece). However, they could not match the money-power of the first version, with the movie making over $200 million dollars on release (and becoming the most money-making movie of 1985) on a budget of $ 19 million.
Back to the Future was very popular, and there are multiple reasons for why the movie became so popular. The movie takes the popular stereotype of the eccentric professor, and delivers a crazy scientist who exactly fills the description; there is the use of the popular paradox of time travel where you can go to the past and kill yourself (what would happen then?) - in this case, if you prevent your parents from meeting, how can you exist; the characters (besides the mad scientist) are people you can relate to such as the young man wanting to have a good life, struggling to make it big and settle down with his girlfriend; with the concept of people bullying you and the fight to show the bully his place; and then the feeling of getting stuck in a different place and wanting to get home to the comfort of your family. Together, they are spun into a great tale, one that was greatly appreciated.
The movie starred primarily Michael J Fox as Marty McFly (a 17 year old living in California), Christopher Lloyd as Dr. Emmett "Doc" Brown (the eccentric scientist), Lea Thompson (Lorraine McFly) and Crispin Glover as George McFly. Marty is a 17 year old aspiring musician wanting to make it big from his middle-class life, and eventually settle down with his girlfriend Jennifer (Claudia Wells). He is also friendly with Doc, who asks him to come over in the night. The same evening, he sees his father getting bullied by his supervisor, and his mother also tells him the tale of how she and his father met (her father hit George with his car).
When Marty meets the Doc, he sees what the Doc was working on. A car, the De Lorean DMC-12, which has been converted into a time machine. The car, when it reached eighty-eight miles per hour, goes to a programmed day and time, using plutonium. As an example, the Doc sets the time to November 5, 1955 (based on the date when he first conceived of the engine, the flux capacitor). This was not to be the final destination, but just then, 2 Libyan terrorists from whom the Doc had stolen the plutonium arrive and start shooting, killing the Doc. Marty escapes by using the vehicle, and promptly moves into the past when the vehicle reaches eighty-eight miles per hour.
Marty is now in 1955, with the surroundings reflecting the then culture. He soon finds his dad George, and saves him from being hit by Lorraine's father's car; this breaks the time loop since Lorraine is now infatuated with Marty rather than George. Marty realizes that he needs help, and the Doc (from thirty years earlier) is the only hope. He manages to convince the Doc that he is from the future, and soon they realize that the only hope to get back is to get immense power, from the soon-to-happen lightning strike on the clock tower.
Marty has to get this parents to meet and fall in love, and he arranges a situation where George appears to save Lorraine from a bully. The situation happens in reality, and George does defend her for real, knocking down a bully. They do start to fall in love, thus ensuring that Marty will exist. And now Marty can head back, trying to reach at a time 10 minutes before the Doc gets killed (so that he can save the Doc). Marty also tries to warn the 1955 Doc with a letter, but the Doc does not want to read it so that he can avoid knowing the future.
Marty does manage to head back, but the car stalls on landing, and he is unable to be there in time to prevent the shooting. However, the Doc had read the letter, and is wearing a bullet-proof vest that saves him from the shooting, and he is now alive. There have been other changes, with his parents becoming closer, and his father more confident. Marty and Jennifer re-unite, and soon see a Doc from the future, 2015 appear. They climb onto his time machine and head off into the sky.

E.T. - The Extra-Terrestrial

How many people would there be who have not seen or hear about this movie ? This was one of the movies that made Steven Spielberg famous. Released in 1982, it was a financial super-success. At the time of its release, it was the most financially successful movie released; costing a bare $ 10.5 million, it made upwards of $ 790 million. The movie was such a great success, it was re-released in 1985 and again in 2002. The movie was to a large extent based on an imaginary alien companion that Spielberg invented when he was a young child, primarily to overcome the trauma of his parent's divorce.
The cast of the movie included Henry Thomas, Dee Wallace, Robert McNaughton, Drew Barrymore and Peter Coyote. Out of these, Drew Barrymore is the one who is the most famous now. But the one who got the most credit out of this movie is Steven Spielberg who became extremely famous after this movie, and he rightfully credits it as one of his best movies. The character of E.T in this movie was a delightful creation, every small child's dream, a very good companion. The movie touched the hearts of a whole generation of people and is still remembered as a eminently watchable movie.



The story is not very complicated. A group of aliens are collecting samples of vegetation in the forest when Government agents approach. In their haste to leave, they leave behind one of their own. He is discovered by a young boy Thomas Eliott, who tries to entice the cute looking alien to his room.
He manages to avoid going to school the next day to find out more about the alien and to play with him. He also gets his elder brother Michael and sister Gertie to meet the alien, but hides his from his mother. They get into a sort of conversation with the alien where it floats balls to represent its own solar system and also brings a dead plant back to life.
The two, Eliott and E.T develop a close bond, that also causes Eliott some trouble in school since he does some strange activities that get him sent to the Principal's office. E.T learns English by watching a television serial called 'Sesame Street' and takes Eliott's help for building a device so that he can call home. On Haloween, they dress E.T as a ghost and take him out of the house and into the forest where E.T successfully calls home.
The next day, both Eliott and E.T seem to be dying, at which time Government agents invade the house and set up a quarantine for Eliott and E.T. E.T suddenly dies, breaking the link between them, and then comes back to life and says his kind are returning to take him back. The kids decide to help E.T escape and stay a step ahead of Government agents in a chase. At this time, one of the most famous sequence of the movie happens where E.T lifts the bicycle in the air when they are trapped in a dead-end. And finally, E.T returns home.

Blade Runner: Dark portents of the future

There are many science fiction movies that take on interactions with aliens such as ET, Aliens, etc; there is another breed that takes human conflict on a galaxy wide scale such as Star Wars, but there are few movies that take humanity in its home in the future, and portray it in such a dark canvas. Blade Runner is a classic movie set in the society of the future (set in 1982, it looks at Los Angeles of 2019). Looking at where we are now, 2019 does not seem to be like this, but maybe 2039 could be. Blade Runner is a movie that takes a look at the future, and takes all our fears of the future along with mad uncontrolled technological development and delivers an astounding gripping film. Many have called this film as the greatest science fiction movie of all time, and it could be reckoned among the top ones at any point of time.
The movie is loosely based upon a maverick science fiction author; if you have ever read any of Philip K Dick's novels, you will know what I mean. The movie was based on his novel, Do Androids Dream of Electric Sheep. With all the current discussion around cloning, stem cell research and the mixed attitudes around this, it seems unlikely that society will so easily accept the notion of creating beings that resemble us and are yet mechanical; but with a mind of their own, Asimov's Laws of Robotics not figuring anywhere.
This movie had a major production history in terms of difficulty in getting made, and with further collection releases, for more details refer to the Wikipedia entry. It was directed by Ridley Scot (fresh from the euphoria of Aliens in 1979) and was another classical movie in the sense that it was not much of a success initially, only gaining name and applause over the years.
The movie is about the common fear, of robots who are indistinguishable from humans and who are guided by their own thoughts, and thus can be very deadly for humans. And about the blade runner (Harrison Ford) who is almost retired, but is brought back to kill (retire) these robots (replicants). The Tyrell corporation, a leading corporation developed robotics technology to the advanced level of the NEXUS 6 series, where they were able to develop androids identical to humans, but with a designed life of 4 years (as a mechanism to control them). They were being used in off-world colonies as slave labor for dangerous tasks.
These robot slaves do a mutiny in one of these worlds, and an order is passed that any replicants found on earth will be executed (retired) by units called blade runners. No questions, no worries, just a quick execution for any robots found on earth.
Deckard (Harrison Ford) is a retired blade runner who is brought back for another mission when 4 of these replicants make their way to earth after hijacking a shuttle from an off-world to earth. He has to hunt these 4 - Roy Batty (the leader of the 4), Leon Kowalski, Zhora, and Pris. They are on their way to earth to somehow extend their life span of 4 years (going to be over shortly). Deckard also discovers that Tyrell's secretary Rachael, is also a similar robot, showing the true sadistic nature of her creator. She does not know that she is a robot, and she was been implanted with memories from Tyrell's niece in order to make her feel human (although she retains her life expectancy of 4 years).
In the meantime, Roy and Leon are trying to make their way to Tyrell, first using an eye designer called Chew to direct them to Sebastian (who plays chess with Tyrell and can thus get them to directly meet Tyrell). In the meantime, Rachael is humiliated by Deckard, she had come to his apartment to convince him about her humanity, but he exposes her replacement memories to her, thus showing her that she was also an android. In the most human of emotions, she cries at this disclosure.
Soon after, in an incredible chase at the ground level of this dirty city of the future, Deckard shoots Zhora, but shoots her in the back, something that he regrets (even though he has only retired an android). His feelings towards these replicants somewhat change when he is attacked by Leon, and in the nick of time, Rachael saves him by shooting Leon. In another sequence, Roy and Pris convince Sebastian to take Roy to Tyrell, which he does (through the chess game that he normally plays). Once in, Roy asks for an extension to his life, and when denied, he eventually crushes Tyrell's heads in a quick gesture and then kills Sebastian.
As the story reaches onto the last stages, Deckard reaches Sebastian's apartment after a phone call and after a bitter battle, shoots Pris. By this time, Roy has returned, and begins the last bitter fight, over empty apartments and roof-tops. Deckard is getting beaten by the superior power of Roy's robotic self, and after a series of escapes and fights, finds himself hanging onto dear life from a beam. Roy, is also hanging on for dear life with his 4 year limit just about over, and his life form dying away. In a last minute demonstration that the androids have human qualities, Roy saves Deckard and then dies. Deckard returns to his apartment and finds Rachael over there, and they move out to an uncertain future, given her 4 year limited life span. One question remains, was Deckard also a replicant? Never answered clearly.

DVD	5 DVD Collector's version

2001: A space odyssey

There would not have been a serious fan of science fiction movies or a follower of the best in cinema who would not have seen the science fiction classic '2001: A Space Odyssey'. Based on the short story, 'The Sentinel' by Arthur C Clarke written in 1948, the movie and a new novel based on the movie were written at around the same time, with the movie getting released first in 1968, and the book being co-authored by the movie director 'Stanley Kubrick' and 'Arthur C Clarke' soon after.
This movie is a very strange movie in many aspects, with barely 40 minutes of dialogs in a 148 minute movie. The movie in many many instances looks very stark, with very sharp scenes. With some delightful music, and excellent visuals, the movie is a treat to watch. The movie also leaves the ending sufficiently vague, and these are actually completed by Clarke in his subsequent novels, '2010', '2061' and '3001'. There has been a lot of bitching about the future shown in the movie in the sense that 2001 certainly did not see much of easy space flight, but the fact remains that the American space exploration programme, in its full fancy at the time of Apollo and the moon landings was shut down in the mid 1970's. If there had been sufficient focus and effort put in that direction, such things would still be realistically possible.
The movie set a new pattern with extensive use of scores from the classical composers, both dead and alive. Kubrick shunned the use of movie composers, instead using works by Johann Strauss, Richard Strauss (Thus Spoke Zarathustra)and György Ligeti.
The movie is so different from the others that the first spoken word is issued half an hour into the movie; try to think of 3 elements in the movie, with speech, music, or silence (pre-dominant in space). At any point of time, any scene had only one of these 3 elements present.
The movie essentially divided its critics into 2 parts, people either loved the movie or hated it. But slowly the movie picked momentum and gained an incredible amount of popular and critical acclaim, enough that it is now in the top 100 movies of all time.
The movie starts out with a tribe of primeval ape man struggling against the odds. One day they find a mysterious black object appears and they nervously go near it. In a kick start initiated by the monolith, Man starts to get intelligent and starts to develop tools. As he is able to use the bone tool, he is able to kill enemies, and thus ends the pre-historic episode in the movie. He throws his weapon in the air in triumph and the scene changes to that of an orbital satellite.
In the present time, the American base in the moon discovers an object buried in the moon a million years ago (dubbed Tycho Magnetic Anomaly 1 or TMA-1), and Dr. Floyd, a research scientist wants to see it. They see a monolith, smooth after millions of years. With the first burst of sunlight falling on the monolith, it emits a screech, as if it is time to act now.
Cut to the spaceship Discovery 1 going to the moon. It carried 6 passengers, Dave Bowman, Frank Poole, 3 cryogenically frozen astronauts and HAL (the onboard computer). HAL is the pinnacle of super-computing, designed to communicate like a human, and very human like in its interactions. At this point, the movie starts to move into the dangerous territory.
HAL reports an impending problem in the communication system, and Bowman goes out of the spaceship to explore, but no problem can be seen. Mission control suggest that HAL is facing a problem, and in the meantime, HAL suggests waiting for the part to fail. Dave and Frank go into a pod, away from HAL, to discuss secretly about whether HAL is failing. Conclusion: if the problem repeats, they will disconnect HAL. Unfortunately, HAL is able to hear what they are saying; and now the movie shows the magic, the power of a computing device out to do harm.
Poole goes outside to repair, and steps outside the EVA pod, at which point HAL takes control of the pod and rams the pod at Poole, killing him. Dave, watching, rushed outside in another pod to try and rescue Poole; in the meantime, HAL deliberately disconnects the support system of the 3 cryogenically frozen astronauts, killing them.
When Frank tried to return, HAL refuses to open the door, revealing that he knows of the conspiracy to 'kill him'. The voice of HAL, always soft-spoken does not hide the danger that Frank is in. HAL also makes it clear that the mission is so important that HAL cannot let Dave screw it up. Dave manages to enter the ship in a risky way, given that he does not have a support system and was exposed to vacuum for a short while. He has one purpose, to deactivate HAL. He starts doing so, and slowly HAL starts to die, all the while protesting about what Dave is doing.
The final part of the movie, with a recording explaining the monolith on the moon and around Jupiter. Dave wants to go out and explore the monolith, and exits the Discovery 1 in an EVA pod. He appears to travel vast distances, first seeming to arrive in a royal room, and goes through some strange experiences, finally seeing himself on his deathbed (through reflected glass) with a monolith nearby. As he tried to touch it, he transforms into a vision called a 'Star Child', a fetus like being, surrounded by an orb of light and in the Earth's orbit.
The movie shows a number of devices that are now present such as flat monitors, glass cockpits in spacecraft, credit cards with magnetic strips, biometric identification