Star Wars – The Empire Strikes back (released in 1980) - directed by Irvin Kershner, and starring Mark Hamill, Harrison Ford, and Carrie Fisher

Continuing where New hope has left, George Lucas pens the story of Luke, Leia and Solo's adventure's through galaxies, planets and space battles.
Despite the destruction of the Death Star, the rebel forces have suffered massive causalities and are forced in to hiding in an icy planet Hoth. Darth Vader, obsessed with the capture of Luke has sent in probes across the galaxy to find information. One of the probes reach Hoth and crashes as a meteor. Luke goes to find it and is captured by an evil predatory creature called a Wampa. Luke with the help of the force retrieves the light saber to slice the Wampa and escape. But he soon collapse out of cold and exhaustion. Hans Solo who rescues him and brings him to the base. Luke has visions of Obi-Van-Kenobi exhorting him to go to Dagohaath and train under the legendary Jedi master, Yoda.
The imperial probe sends in the position of Hoth as a rebel base and is destroyed by Darth Vader. But Rebel troops evacuate and Solo and Leia leave aboard Millennium Falcon. Darth Vader tries to capture them but they manage to slip away. Mean while Luke reaches Dagohaath and s under intensive training with Yoda. Darth Vader under takes Boba Fett a bounty hunter to capture Hans Solo. Hans and Leia reach Solo's friend Lando Clarissian's Cloud city for asylum. But Clarissium, threatened by Vader turns them in. Hans is frozen and is given to Boba Fett as a bounty to be presented to Jabba the Hutt. Leia and Hans fall in love with each other but are separated.



Luke under training gets premonitions of Hans and Leia and leaves to rescue them promising Yoda to return and complete his training. Meanwhile Lando Clarissium chastened by Vader's betrayal returns to rescue Leia and Hans. But Boba Fett flies away with Hans to Jabba the Hutt. Luke who goes to fight Vader is attacked and cornered wherein Vader offers him great riches to join him. But Luke rebuffs Vader's offer which angers him to slice away his hand. As an ultimate inducement he reveals to Luke that he is his father. A stunned Luke lets himself to be sucked in to the training chute and sends a telepathic message to Leia. Leia along with Lando rescue him and carry him aboard the rebel ship where he is fitted with a new hand. The film ends with Luke's new hand and the staggering revelation about his father.
The second episode was one of the most eagerly awaited movies and not surprisingly the box office scorcher of that year. George Lucas and his team had delivered an iconic classic and again was followed by audience adulation and critical acclaim. It won Oscars for the best special effects and best back ground score. In addition it also won the Golden Globes, Grammy and BAFTA awards. The Saga continues with new viewers and even in the face of more technologically advanced films of the century Star Wars holds its on through sheer brilliance. The Force is still with the movie.

Meteor (released in 1979) - a disaster movie about a meteor and efforts to evade it - starring Sean Connery and Natalie Wood

Meteor is directed by Ronald Neame and stars Sean Connery and Natalie wood. This movie is one of the last flicks of the disaster movie genre's of the 70's. This movie is inspired by the MIT project Icarus which talks about deflecting meteors by a missile strike. A voice over at the end of the film credits Project Icarus as an inspiration.
It deals with the asteroid which is on the collision course with earth and the efforts of the scientists to deflect it. A meteor five miles in diameter is on collision course with the earth. While the scientists and politicians scramble to contain the threat, the smaller meteor fragments shower down creating wide spread destruction. Soon the two super powers of the cold war era, the USA and the Soviet union have to shoulder the responsibility of averting this threat.
The United States has an orbiting nuclear missile platform in space called the Hercules. The similar platform of the soviets is called Peter the great. Neither the Soviets nor the Americans are willing to admit to their existence.



Soon the US president disregarding the advice of his military think tanks goes on live national television and admits to the presence of Hercules. He urges the Soviets also to do so. These are the only two stations capable of attacking and deflecting the incoming meteor. Soon Dr. Bradley who put the above station Hercules in space is called upon. He calls his soviet counter part Alexei Dubov to assist him. He even agrees to Dubov's suggestion of treating the orbiting missile unit as a theoretical thing since the soviets have not acknowledged its existence. The expert duo reach the head quarters run by commander Adlon to chalk out a strategy to deflect the meteorite. Bradley has an unenviable task of breaking the ice and distrust between the commander and Dubov.
Finally the Soviets admit to the platform's existence. They pitch in with their support. Missiles are launched first from Peter the Great and then Hercules. In the mean time a meteor fragment has destroyed new York with the head quarters situated in the Sony Building also decimated. The world trade center and many buildings are destroyed. People are killed and survivors are trapped in the debris. Chilling moments happen when the survivors have to dig themselves out from the debris with the river threatening to breach the tunnels.
But up above missiles of both the nations in a rainbow coalition meet its target. The director to add to the suspense, times the survivor's heroic rescue and the missile's exploding happening at the same time. In the end, meteor Orpheus is deflected from the collision course and the Earth is saved. Dubov and his interpretor Tatiana Donoskyaya board the plane back to Russia with enormous goodwill.
But this movie generated no goodwill at the box office. It tanked at the hustings and brought down its production house, American International Pictures. It made the dubious distinction of being one of the fifty worst movies of the century.

E.T. - The Extra-Terrestrial

How many people would there be who have not seen or hear about this movie ? This was one of the movies that made Steven Spielberg famous. Released in 1982, it was a financial super-success. At the time of its release, it was the most financially successful movie released; costing a bare $ 10.5 million, it made upwards of $ 790 million. The movie was such a great success, it was re-released in 1985 and again in 2002. The movie was to a large extent based on an imaginary alien companion that Spielberg invented when he was a young child, primarily to overcome the trauma of his parent's divorce.
The cast of the movie included Henry Thomas, Dee Wallace, Robert McNaughton, Drew Barrymore and Peter Coyote. Out of these, Drew Barrymore is the one who is the most famous now. But the one who got the most credit out of this movie is Steven Spielberg who became extremely famous after this movie, and he rightfully credits it as one of his best movies. The character of E.T in this movie was a delightful creation, every small child's dream, a very good companion. The movie touched the hearts of a whole generation of people and is still remembered as a eminently watchable movie.



The story is not very complicated. A group of aliens are collecting samples of vegetation in the forest when Government agents approach. In their haste to leave, they leave behind one of their own. He is discovered by a young boy Thomas Eliott, who tries to entice the cute looking alien to his room.
He manages to avoid going to school the next day to find out more about the alien and to play with him. He also gets his elder brother Michael and sister Gertie to meet the alien, but hides his from his mother. They get into a sort of conversation with the alien where it floats balls to represent its own solar system and also brings a dead plant back to life.
The two, Eliott and E.T develop a close bond, that also causes Eliott some trouble in school since he does some strange activities that get him sent to the Principal's office. E.T learns English by watching a television serial called 'Sesame Street' and takes Eliott's help for building a device so that he can call home. On Haloween, they dress E.T as a ghost and take him out of the house and into the forest where E.T successfully calls home.
The next day, both Eliott and E.T seem to be dying, at which time Government agents invade the house and set up a quarantine for Eliott and E.T. E.T suddenly dies, breaking the link between them, and then comes back to life and says his kind are returning to take him back. The kids decide to help E.T escape and stay a step ahead of Government agents in a chase. At this time, one of the most famous sequence of the movie happens where E.T lifts the bicycle in the air when they are trapped in a dead-end. And finally, E.T returns home.

2001: A space odyssey

There would not have been a serious fan of science fiction movies or a follower of the best in cinema who would not have seen the science fiction classic '2001: A Space Odyssey'. Based on the short story, 'The Sentinel' by Arthur C Clarke written in 1948, the movie and a new novel based on the movie were written at around the same time, with the movie getting released first in 1968, and the book being co-authored by the movie director 'Stanley Kubrick' and 'Arthur C Clarke' soon after.
This movie is a very strange movie in many aspects, with barely 40 minutes of dialogs in a 148 minute movie. The movie in many many instances looks very stark, with very sharp scenes. With some delightful music, and excellent visuals, the movie is a treat to watch. The movie also leaves the ending sufficiently vague, and these are actually completed by Clarke in his subsequent novels, '2010', '2061' and '3001'. There has been a lot of bitching about the future shown in the movie in the sense that 2001 certainly did not see much of easy space flight, but the fact remains that the American space exploration programme, in its full fancy at the time of Apollo and the moon landings was shut down in the mid 1970's. If there had been sufficient focus and effort put in that direction, such things would still be realistically possible.
The movie set a new pattern with extensive use of scores from the classical composers, both dead and alive. Kubrick shunned the use of movie composers, instead using works by Johann Strauss, Richard Strauss (Thus Spoke Zarathustra)and György Ligeti.
The movie is so different from the others that the first spoken word is issued half an hour into the movie; try to think of 3 elements in the movie, with speech, music, or silence (pre-dominant in space). At any point of time, any scene had only one of these 3 elements present.
The movie essentially divided its critics into 2 parts, people either loved the movie or hated it. But slowly the movie picked momentum and gained an incredible amount of popular and critical acclaim, enough that it is now in the top 100 movies of all time.
The movie starts out with a tribe of primeval ape man struggling against the odds. One day they find a mysterious black object appears and they nervously go near it. In a kick start initiated by the monolith, Man starts to get intelligent and starts to develop tools. As he is able to use the bone tool, he is able to kill enemies, and thus ends the pre-historic episode in the movie. He throws his weapon in the air in triumph and the scene changes to that of an orbital satellite.
In the present time, the American base in the moon discovers an object buried in the moon a million years ago (dubbed Tycho Magnetic Anomaly 1 or TMA-1), and Dr. Floyd, a research scientist wants to see it. They see a monolith, smooth after millions of years. With the first burst of sunlight falling on the monolith, it emits a screech, as if it is time to act now.
Cut to the spaceship Discovery 1 going to the moon. It carried 6 passengers, Dave Bowman, Frank Poole, 3 cryogenically frozen astronauts and HAL (the onboard computer). HAL is the pinnacle of super-computing, designed to communicate like a human, and very human like in its interactions. At this point, the movie starts to move into the dangerous territory.
HAL reports an impending problem in the communication system, and Bowman goes out of the spaceship to explore, but no problem can be seen. Mission control suggest that HAL is facing a problem, and in the meantime, HAL suggests waiting for the part to fail. Dave and Frank go into a pod, away from HAL, to discuss secretly about whether HAL is failing. Conclusion: if the problem repeats, they will disconnect HAL. Unfortunately, HAL is able to hear what they are saying; and now the movie shows the magic, the power of a computing device out to do harm.
Poole goes outside to repair, and steps outside the EVA pod, at which point HAL takes control of the pod and rams the pod at Poole, killing him. Dave, watching, rushed outside in another pod to try and rescue Poole; in the meantime, HAL deliberately disconnects the support system of the 3 cryogenically frozen astronauts, killing them.
When Frank tried to return, HAL refuses to open the door, revealing that he knows of the conspiracy to 'kill him'. The voice of HAL, always soft-spoken does not hide the danger that Frank is in. HAL also makes it clear that the mission is so important that HAL cannot let Dave screw it up. Dave manages to enter the ship in a risky way, given that he does not have a support system and was exposed to vacuum for a short while. He has one purpose, to deactivate HAL. He starts doing so, and slowly HAL starts to die, all the while protesting about what Dave is doing.
The final part of the movie, with a recording explaining the monolith on the moon and around Jupiter. Dave wants to go out and explore the monolith, and exits the Discovery 1 in an EVA pod. He appears to travel vast distances, first seeming to arrive in a royal room, and goes through some strange experiences, finally seeing himself on his deathbed (through reflected glass) with a monolith nearby. As he tried to touch it, he transforms into a vision called a 'Star Child', a fetus like being, surrounded by an orb of light and in the Earth's orbit.
The movie shows a number of devices that are now present such as flat monitors, glass cockpits in spacecraft, credit cards with magnetic strips, biometric identification