The Day After Tomorrow (2004) - Global Warming scenario accelerated

This was a movie released in 2004, at a time when the Bush Administration was steadfast in claiming that there was no global warming (or rather, that the science proving it was not confirmed), and there were sections of the scientific community and in society that were unhappy over this attitude of the administration. The fact that the admnistration was much closer to the business community which would be affected if measures needed to be taken to fight global warming compounded the response of this section of society. So keep in mind this fact while watching the movie, given that it touts that global warming can cause huge damages to our community, and that the political leadership is too blinkered to be able to take effective measures.
Global warming is a fact, and nations all over the world are talking (mostly talking) about how to address this problem, and are debating who needs to take what steps. It is a game for rich nations to worry about the effect on the economy, a huge debate between rich and poor nations about responsibility and steps to be taken, but it is coming and will keep on affecting us. This movie took the scare due to global warming to a much higher level, and keep in mind that there are almost no scientists who share the vision of a much accelerated change that is shown in the movie.



The movie was hugely successful (earning more than 650 million dollars), and brings to its viewers a vision of the full power of Mother Nature. The movie however did not earn much critical acclaim for its scientific background, and was criticized by a number of scientists working in the Global warming area; the feeling being that the movie, by showcasing a sudden onset of disaster and moving away from the decades based impact of global warming and makes the whole science seem freakish and unconvincing. One area where the movie won a lot of praise was in the area of its special effects, especially the disaster scenes.
The movie starts with scientific research on the ice shelf, Larsen Ice Shelf. Jack Hall (Dennis Quaid) is drilling for ice cores in the Antartic for NOAA. Suddenly, the ice shelf separates, and Jack almost dies. Jack travels to a conference on Global Warming in New Delhi where diplomats from all over the world have gathered in order to present his theory, but of course, politicians (including the Vice-President of the United States (resembling Dick Cheney)) refuse to believe him. However, the weather has other ideas. Another scientist (Professor Terry Rapson (Ian Holm) of the Hedland Climate Research Centre in Scotland) looks at Jack's theory and does not dismiss it. When he returns to Scotland, data from 2 water buoys in the North Atlantic show sudden drops in the temperature of the water. Unknown to humanity, the deep chill caused by global warming has begun.
Professor Rapson and Jack talk about Jack's theory, but Jack's theory was over a long period of time, not supposed to happen suddenly. Jack starts to build a computer model based on his theory, and on data, and the model is horrific in terms of what will happen. And the weather systems all over go haywire. Tokyo is hurt by a huge hailstorm, Los Angeles is decimated by tornadoes, planes get caught in the weather turbulence. Eventually, air traffic is stopped. British RAF helicopters are suddenly frozen as they pass through the eye of a superstorm. The human element to the movie is the father-son relationship between Jack and his son Sam (Jake Gyllenhaal) who have travelled to New York City for a competition, when the weather system turns haywire. Jack heads to New York to get them back to safety.
The predictions of storms, of an ice wave are so strong that it is recommended to evacuate the Northern Unites Stated and move to the South and to Mexico. In the meantime, Sam along with friends have taken refuge in the New York Public Library. Eventually, Jack manages to make it to the Library and get help for everybody over there, after the superstorm has passed.

The Last Samurai (2003) - starring Tom Cruise

The Last Samurai is set during tumultuous times in both the United States and Japan. The movie is set during the 1870's, a decade after the American Civil War, a time when the United States fought an intense internal war between the forces of the Union and the Confederates. Similarly, there were dramatic changes going on in Japanese society at that time. The 'samurai' (warrior class) that were a major elements in Japanese society were losing their position and influence, and a proper military was starting to form. This was the time of the Meiji Restoration of 1867-1868 (wikipedia).
The story of the movie is about an old warrior, named Captain Nathan Algren (Tom Cruise), who is a veteran of the Indian wars (where the United States Army fought the Native Indian tribes), and who is traumatized by his role in a massacre of Native Indians. He is wandering around pretty aimlessly, making a living by recounting his adventures in gun shows, something that earns him a living, but does nothing to enliven his life.



However, he is a perpetual drunk, and is finally fired from his job; now he has pretty much no options other than to accept an offer to train the Imperial Japanese army (part of the growing western influences in Japan post the Meiji Restoration). This offer is made to him by his former commanding officer, Lieutenant Colonel Bagley (Tony Goldwyn). Algren pretty much blames Bagley for his transgressions during the war, and has no love lost for him. This offer from Bagley is made on behalf of a Japanese businessman who has stakes in the restoration, called Mr. Omura (Masato Harada).
Algren goes about this task, training peasants and farmers in how to handle rifles as part of this training. However, in their first conflict, they come into battle with a group of rebel samurai warriors, led by Katsumoto (Ken Watanabe); the army is unequal to the battle and gets defeated by the samurai. One of Algren's colleagues is killed in this attack, and Algren himself fights valiantly, defeating and killing the brother-in-law of the samurai leader. In this fight, he uses a spear with a flag of a white tiger, and Katsumoto believes that to be an omen, and spares Algren's life and takes him prisoner.
Algren is now prisoner at a remote village, living in the house of Hirotaro, whom he had killed. In this village, Algren finally starts to become more at peace him himself, and also starts to really learn the art of wielding the samurai sword as well as learn the Japanese language. In a fight with ninja assassins who had attacked the village, Algren fights along with the samurai, and manages to give a good account of himself even though the samurai take several losses.
With spring, Algren is now back in Tokyo, but now refuses to support Omura in his battle with the samurai, and at the same time, Katsumoto is arrested even after offering advice to the emperor. Algren manages to help Katsumoto regain his freedom, even though in this effort, Katsumoto's son, Nobutada (Shin Koyamada) is killed. After regaining his freedom, Katsumoto learns that a better equipped army unit is going to attack a much smaller samurai force, and it is there that Algren recalls the Battle of Thermopylae, where a much smaller force used better technology and the advantage of terrain to defeat a much larger army.
This comes true as the samurai are able to lead the larger army into a trap, however, soon the samurai realize that the army will get backup units, and another such battle will mean defeat. They resolve to make an attack of their own. However, they face canon fire, something that proves murderous, and then a second unit of infantry. In a battle, Algren kills Bagley when Bagley attacks Katsumoto; but then the second line of Gatling guns hit the samurai as they advance. The Japanese army, then ceases fire in respect of the samurai. Katsumoto ends his life.
In the end, as the emperor prepares to sign a deal with American ambassadors that would make the US as the exclusive dealers for firearms, Algren presents Katsumoto's sword to the emperor; the emperor understands the message and refuses to sign the deal, and also reduces Omura's powers and influence when he objects. Algren returns for the peace he finally found to the small Japanese village.

Track listing:
"A Way of Life"– 8:03
"Spectres in the Fog"– 4:07
"Taken"– 3:36
"A Hard Teacher"– 5:44
"To Know My Enemy"– 4:48
"Idyll's End"– 6:40
"Safe Passage"– 4:56
"Ronin"– 1:53
"Red Warrior"– 3:56
"The Way of the Sword"– 7:59
"A Small Measure of Peace"– 7:59

El Cid (1961) - The story of a hero

El Cid, the legendary hero of Spain was a real person named Don Rodrigo Diaz de Bivar ((c. 1040, Vivar, near Burgos – July 10, 1099, Valencia)). He lived around 1035 A.D. Although he spent much of his time fighting on the side of the Moors, he became identified as the best incarnation of the true Castilian Christian spirit. His name came from the Arabic "sayyid" meaning "lord" or "chief." He was a nobleman, who was educated in the royal court of Castile, and was one of the leading warriors of Alfonso VI against the Moors. He is considered the national hero of Spain.
As is expected, a movie made on such a hero is always made more romantic than reality, with acts of heroism and valor magnified, and when the movie has such actors such as Charlton Heston and Sophia Loren, the movie seems much more romanticized than the original. The movie was released in 1961 and earned 3 Oscar nominations, but was unable to win any Oscars.



The movie was directed by Anthony Mann, and was shot primarily on location in Spain (including the historic castles of Belmonte (Cuenca) and Peñíscola (Castellón)), with a smaller number of scenes being shot in Rome. The movie used real swords during the shooting, so you would expect that the action scenes needed a much better control and thorough safety measures.
El Cid was part of an aristocratic family, but not very powerful or high in the Spanish royal court. However, he became famous as a man who was a warrior at the same time as he was a peacemaker, willing to spare enemies if they swore their allegiance to his king. This was a time when there were many royals, with many of these royals fighting for power, and fighting for the throne. And this was also a time when the Moors were fighting for gaining space in Spain, in their quest to introduce the power of Islam inside Spain.
He was to fight back charges of treason, and eventually loses favor at the royal court, becoming a mercenary when his king Alfonso abandons him. He even fights on the side of the Moors, but eventually comes back to support his king when he is called back. He also came to command much more influence among the common people, earning their respect, and forming his own army composed of both Christians and Moors, forming his own fiefdom comprising the city of Valencia and its neighboring regions.
The book had some great scenes, such as the fight between two single warriors to get control of the city, which was a great fight. Shooting on location imparted some incredible majesty and splendor to the movie.

12 Angry Men (1957) - One man's fight for justice

The title above may seem like it is describing a man fighting for justice for himself, but in fact, the story is about a man fighting to get proper justice for an accused. In the United States, decisions for criminal cases are supposed to be evaluated by a jury made up of fellow citizens, who listen to the evidence, and its presentation by the prosecutors and by the defense; in the end, the jury has to reach a verdict that the judge follows. The movie hinges on the fact that for serious crimes, the verdict of the 12 member jury has to be unanimous, and if even one juror objects and does not agree to a unanimous verdict, the jury is called a hung trail, with the case being declared as a mistrial. There is pressure on the minority jury members to reach a verdict, else the jury has to sit for as long as it takes to reach a verdict; it is only if the foreman reaches a decision that a unanimous verdict cannot be reached, does the jury get dismissed.



The movie is about the murder trial of a teenager from poor and disturbed circumstances, who is accused of killing his father. The presentation of evidence is over, the lawyers have made their arguments, and the jury is now deliberating on the judgment. They have been instructed by the judge that they need to reach a verdict of whether the defendant is guilty of murder or not, and if they do reach a verdict of guilty, then the defendant will be sentenced to a mandatory sentence of death.
When a quick vote is taken, it is found that 11 of the jurors (all 12 are white men) are in favor of a death sentence, only Juror # 8 (Henry Fonda) does not vote guilty. In fact, Henry Fonda is not sure about the guilty or not, but believes that some of the evidence presented is circumstantial, and that the jurors must do a fair deliberation before judging the accused to be guilty (and sending him to his death). And thus, you have an excellent movie where you can see the mood of the jury (and individual jurors), as they go through the evidence, deliberate, and review their vote. Jurors change their votes depending on the evidence they hear during the discussion, with a few of them reversing their votes, and one of them voting guilty only because he is bigoted. Eventually, all of them change their vote to Not Guilty.
The movie was based almost entirely in one room, through the deliberations by the jury members, excepting for a couple of scenes in a washroom, and beginning and closing scenes on the steps of the courtroom. The movie did not so well commercially, but has now been recognized as a classic movie, with the role of Juror # 8 being one of the top 50 heroes.

Double Indemnity (1944) - Insurance and murder

Double indemnity is a clause or provision in a life insurance or accident policy whereby the company agrees to pay the stated multiple (e.g. double) of the face amount in the contract in cases of accidental death. An accidental death is a death that is neither intentionally caused by a human being, such as homicide, nor from natural causes, such as cancer or heart disease. The probability of a death in the United Stated arising from accidental reasons has a low probability, and hence double indemnity is an insurance scenario that is sold cheaply. As you might think, for a couple where either member is thinking of separating and is willing to become a criminal, the thought of bumping off your spouse in a way that the death can be claimed as an accidental death can seem very attractive. But not all the plans in life work out, and the insurance industry has sleuths who investigate accidental death cases in order to rule out any fraud.



Double Indemnity is a multiple Oscar nominated movie, released in 1944, and directed by Billy Wilder, based on the theme of Double Indemnity where a wife seeks to get her husband murdered, with the depiction as an accident. The movie was based on a novella by James M. Cain of the same name, that appeared over 8 issues of the 1935 edition of Liberty magazine. The story is based on the 1927 case of a lady based in Queens, Ruth Snyder, who along with her lover got her husband murdered after he took out an insurance scheme with a double indemnity clause.
The movie plays out in flashback, with Walter Neff (Fred MacMurray), an insurance salesman for Pacific All-Risk dictating his story into a dictaphone for the benefit of his colleague, Barton Keyes (Edward G. Robinson), who is a claims adjuster, and investigating the same case that Neff is intimately involved in. Neff is in his death throes, being shot and badly wounded.
The story was that Neff met Phyllis Dietrichson (Barbara Stanwyck) at her house when he had gone to renew the car insurance of her husband. They flirt, and then Barbara asks Neff how to take out a new insurance policy on her husband without her husband getting to know, something that causes the suspicious antenna on Neff to start working, for a person in the insurance business, that question is very fishy, and he suspects that she wants her husband killed. He refuses, but she follows him to his house and persuades him to become part of a plan to kill her husband. They work out a plan where her husband falls from a moving train.
The insurance company sends Keyes to investigate, who after some initial hesitation, concludes that Barbara must have a hand in this murder. He has no knowledge about the involvement of Neff. Then Lola, the dead man's daughter and the step-daughter of Phyllis comes to Neff for help, especially since her mother had died when Phyllis was taking care of her as a nurse. Neff soon realizes that Phyllis is also seeing Lola's boy-friend, and soon realizes that he can get Phyllis and the boy-friend to become the main suspects.
Neff has a confrontation with Phyllis, and Phyllis shoots first, but does not shoot again, refraining from making the killing attack; accepting that her refusal to shoot again means she could now be in love with Neff. She hugs Neff, who then shoots her dead. Neff drives back to the office, for the end of the flashback, and collapses on the floor of the office after making his confession, in time for Keyes to hear everything.

Oscar nominations;
Best Actress in a Leading Role (Barbara Stanwyck)
Best Cinematography, Black-and-White
Best Director (Billy Wilder)
Best Music, Scoring of a Dramatic or Comedy Picture
Best Picture
Academy Award for Best Sound, recording
Best Writing, Screenplay

West Side Story (1961)

There are many movies that have been adapted from screenplays or from books, and West Side Story is one of the most successful of the lot. The movie was adapted from a running screenplay of the same name, which was adapted from a very famous piece of work by Shakespeare called 'Romeo and Juliet'. The movie credits the direction by 2 people - Robert Wise and Jerome Robbins. Jerome Robbins was the first director, and he was also the director of the stage version, as well as being responsible for planning and directing all music and dance sequences in the film, as well as all the fight scenes. However, when around 60% of the movie had been shot, the producer of the movie (Robert Wise) felt that the costs had not been in check, and Robbins was fired. In the end, when the movie earned 10 Oscars (out of a total of 11 Academy Awards nominations), Robbins got a special award.



The concept of 'Romeo and Juliet' is an extremely old concept, valid in different cultures and across geographies. The theory that a girl and boy from 2 rival clans meet, fall in love, and fall victim to the enmity between their clans (and getting killed due to this rivalry) is something that finds mention in a lot of different cultures. This movie is also based on the same concept, with the clans being modified to be 2 different gangs set in New York in the 1950's. These are 2 rival gangs called the American Jets and the Puerto Rican Sharks (and these are composed of members from different racial backgrounds), fighting for supremacy over the New York neighborhoods in which they operate.
The romantic duo are Tony (Richard Beymer), who is a former member of the Jets gang (and also its co-founder), and Maria (Natalie Wood), who is the sister of Bernardo (George Chakiris), the head of the rival Puerto Rican immigrants gang, the Sharks. These 2 meet at a dance, to which Tony has gone to convey a message about a challenger between the 2 gangs, something that would decide the rivalry once and for all.
The movie is a musical, so there are several song and dances about the tension in the gangs as they proceed to a final rumble (the challenge) between them, along with the excitement in the life of Tony and Maria as their love increases. The story climaxes when Maria requests Tony to stop the rumble, and Tony is subject to ridicule from the gang members when he tries to stop them. His attempts are met with scorn, and the Jets head Riff cannot stand to see this ridicule of his close friend and starts fighting with Bernardo. In this tussle, Bernardo kills Riff, and Tony kills Bernardo in revenge. At this point, the police arrive and the gang members disperse.
Maria is informed by another gang member Chino (Jose DeVega) about the fight and about Tony killing her brother. When Tony arrives, Maria is very angry, but Tony manages to convince her by detailing what happened at the fight, and by offering to surrender to the police. However, the story happens in tragedy when Tony and Maria are about to meet, Chino comes in and shoots Tony. It is in this tragedy that the gangs unite, when member of both gangs carry Tony's body.

Academy awards:

Wins:

Academy Award for Best Picture – Robert Wise, producer
Academy Award for Directing – Jerome Robbins and Robert Wise
Academy Award for Best Supporting Actor – George Chakiris
Academy Award for Best Supporting Actress – Rita Moreno
Academy Award for Best Art Direction (Set Decoration, Color) – Victor A. Gangelin and Boris Leven
Academy Award for Best Cinematography (Color) – Daniel L. Fapp
Academy Award for Costume Design (Color) – Irene Sharaff
Academy Award for Film Editing – Thomas Stanford
Academy Award for Original Music Score of a Musical Picture – Saul Chaplin, Johnny Green, Irwin Kostal, and Sid Ramin
Academy Award for Sound – Fred Hynes (Todd-AO SSD), and Gordon Sawyer (Samuel Goldwyn SSD)

Nominations

Best Writing, Screenplay Based on Material from Another Medium – Ernest Lehman

Rebel Without a Cause (1955): The James Dean classic

Rebel Without a Cause (released in 1955) is an iconic movie, and hard to believe that the movie is now more than 50 years old. The movie is part of the youth culture now, with the concept of teenager angst being a central theme of the movie, and the phrase 'Rebel without a cause' is an integral a part of normal everyday language. The interesting thing about the origin of the name of this movie was that it was based on the name of a book (Robert M. Lindner's 1944 book, Rebel Without A Cause: The Hypnoanalysis of a Criminal Psychopath). The name of the movie was taken from the book, but otherwise there is no relation between the storyline of the book and the movie.
James Dean had a very short movie career, only starring in 2 other movies besides this one (Giant, and East of Eden), before dying in a car crash. However, he was incredibly remembered for long, and his portrayal of a young volatile and nervous teenager who is rebellious against his parents and society was a great role.



The movie portrays the life of teenagers who did not fit into the normal and sugar portrayal of movies of that era, with the movie attempting to take their viewpoint and explaining what makes them rebellious (in sharp contrast to a lot of movies who would try and see how a teenager could be made to see light). The combination of Director Nicholas Ray and screen-writer Stewart Stern scripted a movie that has become 'the' portrayal of youthful angst.
James Dean portrays the role of 17 year old Jim Stark, who moves to Los Angeles along with his parents and enrolls in the local school. He is soon in trouble, brought into the police station for public drunkenness; and soon you realize what one of the motifs of the movie is. His family comes to get him out of the police station, and then you realize that part of what makes him so rebellious is that he does not have a strong father figure - his father and mother frequently quarrel, including in front of Jim. His father bows down many times in such a quarrel, leading to Jim realizing that his father does not have a strong backbone. In the police station, he also meets 2 other characters who are with him through the movie - a 15-year-old boy, John, nick-named Plato (Sal Mineo) who starts to idolize Jim, and Judy (Natalie Wood), who was in the police station for being out after dark.
Judy is a member of the gang of Buzz Gunderson (Cory Allen), somebody whom Jim has an ongoing battle with. In a 'chicken race' with Buzz, where the challenge is to see who first jumps out of a car heading towards a cliff, Buzz gets stuck to the car and goes over the cliff. This experience is unsettling to Jim, but he is unable to get any kind of understanding from his parents when he tries to explain to them. The members of Buzz's gang also start pursuing Jim and Judy (and Plato, who is along with them), and the fight takes a tragic turn when Plato is escaping from the police with a loaded pistol, and is shot by a police officer in self defense.
Originally, Jim's parents think he has been killed, but then realize that he is alive, and this causes a change whereby Jim's father decides to be a better father figure.